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I remember I bought a nice jumper (that’s a sweater for my American friends) with the $40 I was paid for this article – one that was published in The Canberra Times in April, 1987. It was also an article that I submitted to the professional writing class I was taking at that time at the Canberra College of Advanced Education (now the University of Canberra). My instructor awarded me a “credit” grade, and noted that my article was “topical, interesting, and well-researched . . . [with] a genuine enthusiasm evident throughout.” He also observed that I “occasionally lapse into over-long sentences” – a habit that dogs me to this day!
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Valiant Prince Turns Fifty
By Michael Bayly
Canberra Times
April 1987
Canberra Times
April 1987
An old witch once prophesied that a certain young and adventurous prince would never know contentment in his life. Whether or not the witch’s prophecy has been fulfilled is hard to ascertain, as contentment, like wealth, is one of those difficult concepts to measure.
Yet to the thousands of faithful readers, the writer and artist who labours to bring the prince to an exquisite degree of life, and the syndicate which has the right to publish this life in over 300 newspapers worldwide, I dare say the prince in question is a source of great contentment indeed.
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Prince Valiant the comic strip was created by Hal Foster in 1937. Foster, an accomplished commercial artist, was not new to the world of comics. He had previously written and illustrated Tarzan and the Apes. Yet it would be Prince Valiant, with its rich illustrations and detailed attention to the King Arthur legend, which would bring Foster international renown.
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“God in his wisdom endowed me with certain imperfections,” Foster once declared, “but I have made Prince Valiant as I wish God had made me. He’s sort of my body with muscles.”
In a matter of weeks, the strip depicts Valiant’s aging to his late teens, thus beginning to chronicle the lad’s many adventures.
“The most fun was establishing the legend of Prince Valiant in the early strips,” said Foster. “The hardest thing . . . has been to keep Val human. He has to be good and virtuous but I try to keep him human also. He has faults and frailties like everyone else.”
Leaving his father’s household, the youthful Prince Valiant attaches himself to the court of King Arthur. Roaming across Britain, Europe, and the Holy Land, often as squire to the noble Sir Gawain, Valiant bravely, though sometimes recklessly, fights for the oppressed and for his own renown against invading Huns, Goths, and Saxons. During one adventure he is presented by Prince Arn of Ord with the Singing Sword. “Invisible is he who uses it in good cause,” Arn tells Valiant, who quickly validates the claim.
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In time he is rewarded and becomes a knight of Arthur’s legendary Round Table.
“The medieval period gave me scope, that’s why I picked it,” Foster once said. “I have a leeway of almost three centuries [as] with the decline of Roman civilization in the fifth century, written records ceased being kept.”
“Who had enslaved whom?”, Prince Valiant would ask himself years later, for it soon became apparent that the two were hopelessly in love. And so after an epic adventure involving Valiant rescuing Aleta from a fiendish tyrant, the two young lovers were married.
Foster once stated that he originally wanted to do a strip which would permit him to do fantasy. “I wanted to show magicians, ogres, dragons, and knights. However, after Prince Valiant began, the characters in the strip became too real to do much fantasy.”
Prince Arn, named after Valiant’s adolescent friend, was the first of five children. Twin daughters, Karen and Valeta, came next; then Galan, heir to his mother’s throne; and finally Nathan. This youngest child almost never knew his family, having been abducted moments after his birth by agents of the Byzantine Emperor Justinian. Prince Arn eventually rescues his infant brother and restores him to his rightful family.
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Combining elements of adventure, romance, and Arthurian lore, Prince Valiant has enthralled readers for half a century – a feat with which Valiant himself would be quite content.
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For an excellent overview of the history of Prince Valiant, I highly recommend The Definitive Prince Valiant Companion by Brian M. Kane.
The Prince Valiant Page by Gary Gianni is also an informative and entertaining resource – one that looks at the artistic style and method of Gianni, the third and latest artist to illustrate Prince Valiant.
In the Twin Cities, Prince Valiant is published in the Sunday edition of the St. Paul Pioneer Press.
Val and his youngest son Nathan are given a mysterious warning
by "three weird sisters" in a 2005 story by Gianni and Schultz.
For more of Prince Valiant at The Wild Reed, see the previous posts:
"A Valiant Effort"
If I Could . . .
Istanbul
Recommended Off-site Links:
Michael Bayly Reveals the Faces of Resistance – Lydia Howell (Pulse of the Twin Cities, May 31, 2000).
King Features Syndicate's Official Prince Valiant Page
Don Markstein's Toonopedia: Prince Valiant
Prince Valiant: Hal Foster's Vision Realized – ToysPeriod.com (July 4, 2010).
A Review of Prince Valiant: 1937-1938 (Vol. 1) – Steve Donoghue (OpenLettersMonthly.com, 2009).
A Review of Prince Valiant: 1939-1940 (Vol. 2) – Rich Clabaugh (The Christian Science Monitor, July 27, 2010).
Another Review of Prince Valiant: 1939-1940 (Vol. 2) – Chad Derdowski (Mania.com, August 5, 2010).
No Knights Who Say "Ni," Neither – Josh Fruhlinger (The Comics Curmudgeon, August 9, 2004).
Triumphant Return: An Insider Expounds on Prince Valiant – Cullen Murphy (Vanity Fair, September 21, 2009).
2 comments:
Nice post. I had a pretty good Conan the Barbarian comic collection a few yars ago. My favorites were the ones drawn by Barry Smith. Not really medieval, I guess - more fantasy than Prince Valiant.
Hi, Crystal!
Thanks for your comment and for the links.
Peace,
Michael
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