Monday, February 20, 2023

Happy Birthday, Buffy!

Image: Akasha Rabut for the New York Times
(November 2022)


Singer-songwriter Buffy Sainte-Marie turns 82 today.

Happy Birthday, Buffy!

As regulars readers will know, I’ve long admired Buffy Sainte-Marie and enjoyed her music. Indeed, I find her to be a very inspiring figure. (I even chose her song “It’s My Way” as my theme song when I turned 50 in 2015!)


Left: With Buffy after her August 26, 2016 performance at The Dakota in Minneapolis.


I especially appreciate and am inspired by Buffy’s passion and purposefulness – and by the way she blends her art and social activism. I’ve seen her four times in concert, and had the privilege of meeting and talking with her on three of these occasions. She’s creative, articulate, warm, and funny – a very human human being.


Buffy’s most recent album is the award-winning Medicine Songs (2017), about which Buffy says the following.

[Medicine Songs] is a collection of front line songs about unity and resistance – some brand new and some classics – and I want to put them to work. These are songs I've been writing for over fifty years, and what troubles people today are still the same damn issues from 30-40-50 years ago: war, oppression, inequity, violence, rankism of all kinds, the pecking order, bullying, racketeering and systemic greed. Some of these songs come from the other side of that: positivity, common sense, romance, equity and enthusiasm for life.

I really want this collection of songs to be like medicine, to be of some help or encouragement, to maybe do some good. Songs can motivate you and advance your own ideas, encourage and support collaborations and be part of making change globally and at home. They do that for me and I hope this album can be positive and provide thoughts and remedies that rock your world and inspire new ideas of your own.



Above: Buffy and guitarist Anthony King performing at the Big Top Chautauqua, Bayfield, WI on Saturday, August 27, 2016. (Photo: Michael J. Bayly)


In celebrating Buffy today at The Wild Reed I share the trailer to the PBS American Masters’ documentary, Buffy Sainte-Marie: Carry It On, released last November. It’s followed by excerpts from Lindsay Zoladz’s November 21, 2022 New York Times profile of Buffy. Enjoy!






[Buffy’s] buzzy performances [at the famed Gaslight Cafe in 1963] led to a deal with Vanguard Records; a year later, she released her indelible debut album, It’s My Way!, which featured “Now That the Buffalo’s Gone,” along with a few other songs that were destined to be covered by countless artists across generations: the stirring anti-war ballad “Universal Soldier” and the harrowing “Co’dine,” an early and unfortunately still relevant tale of opiate addiction. Plenty more modern standards would follow later in her career, including romantic fare like “Until It’s Time for You to Go” (Elvis and Priscilla’s wedding song, apparently) and the ’80s pop hit “Up Where We Belong” from An Officer and a Gentleman, for which Sainte-Marie won an Oscar – the first ever awarded to a Native American.

Still, Sainte-Marie said, “It wasn’t about careerism at all.”

“I wanted to write songs that would last for generations,” she said. “I didn’t care whether I ever had a hit. I was trying to write songs that were meaningful enough to enough people so that, like an antique chair, people would dig it, appreciate it, take care of it and pass it on, because it had value and wasn’t going to fall apart.”

In one sense, that has certainly happened. Sainte-Marie has become incredibly influential to artists of many different ages and genres: Joni Mitchell, Robbie Robertson, Neko Case, the Indigo Girls, Steppenwolf’s John Kay and the classical musician Jeremy Dutcher are all vocal admirers. “She’s a massive bright light and a guide to so many,” the Polaris Prize-winning Indigenous musician Tanya Tagaq, who collaborated with Sainte-Marie on a 2017 song, said in a phone interview. “She was that even when she was young, but now that she’s older, it’s almost like she’s laid the foundation to let us raise our voices so that we can be heard.”

But many of Sainte-Marie’s fans also believe she hasn’t quite gotten her due, especially in the United States. Emily Saliers of the Indigo Girls – whose rollicking cover of Sainte-Marie’s 1992 anthem “Bury My Heart at Wounded Knee” has long been a staple in their set list – said in a phone interview, “To me, she’s a household name.”

“But she didn’t get that career that Dylan or Joni or even Joan Baez and some of the other folk singers of her era did,” she continued.

The director Madison Thomas’s lively new documentary Buffy Sainte-Marie: Carry It On, though, makes the case for Sainte-Marie’s continued importance and offers a welcoming primer on Sainte-Marie’s life as a songwriter, performer and activist. Saliers said the timing is fortuitous for a new audience to come to Sainte-Marie’s music: “She started recording in the ’60s, but we need her now more than ever. I think that people in this country are seeking meaning in their music in a way that they haven’t for a long time.”

. . . Despite all of the challenges of her life, Sainte-Marie’s infectiously hopeful energy and radiant smile seem impermeable to cynicism and despair. “I don’t like misery of any kind,” she said. “So if something starts bothering me, I either put up an umbrella or I go inside. I do something about it, because I’m really uncomfortable being unhappy. I try to keep my nose on the joy trail.”


To read Lindsay Zoladz’s article in its entitety, click here.



And finally, here’s a great 25-minute interview with Buffy from last year.






For The Wild Reed’s special series of posts leading-up to the November 10, 2017 release of Medicine Songs, see:
For Acclaimed Songwriter, Activist and Humanitarian Buffy Sainte-Marie, the World is Always Ripening
Buffy Sainte-Marie: “I’m Creative Anywhere”
Buffy Sainte-Marie Headlines SummerStage Festival in NYC’s Central Park
Buffy Sainte-Marie, “One of the Best Performers Out Touring Today”
The Music of Buffy Sainte-Marie: “Uprooting the Sources of Disenfranchisement”
Buffy Sainte-Marie: “Things Do Change and Things Do Get Better”
Buffy Sainte-Marie’s Medicine Songs



For The Wild Reed’s special series of posts leading-up to the May 12, 2015 release of Buffy’s award-winning album, Power in the Blood, see:
Buffy Sainte-Marie and That “Human-Being Magic”
Buffy Sainte-Marie’s Lesson from the Cutting Edge: “Go Where You Must to Grow”
Buffy Sainte-Marie: “Sometimes You Have to Be Content to Plant Good Seeds and Be Patient”
Buffy Sainte-Marie’s Power in the Blood


For more of Buffy Sainte-Marie at The Wild Reed, see:
A Music Legend Visits the North Country: Buffy Sainte-Marie in Minnesota and Wisconsin – August 2016
Buffy Sainte-Marie on Indigenous Peoples’ Day: “There’s an Awful Lot of Work Yet to Be Done”
Buffy Sainte-Marie: The Pope’s Apology Is “Just the Beginning”
Sweet America
Carrying It On . . . Into the New Year
Buffy Sainte-Marie’s “America the Beautiful”
Two Exceptional Singers Take a Chance on the “Spirit of the Wind”
Photo of the Day – January 21, 2017
Buffy Sainte-Marie Wins 2015 Polaris Music Prize
Congratulations, Buffy
Happy Birthday, Buffy! (2016)
Happy Birthday, Buffy! (2018)
Happy Birthday, Buffy! (2019)
Happy Birthday, Buffy! (2020)
Happy Birthday, Buffy! (2021)
Actually, There’s No Question About It
For Buffy Sainte-Marie, a Well-Deserved Honor
Buffy Sainte-Marie: Singing It and Praying It; Living It and Saying It
Buffy Sainte-Marie: Still Singing with Spirit, Joy, and Passion
Something Special for Indigenous Peoples Day
Buffy Sainte-Marie: “The Big Ones Get Away”

Related Off-site Links:
Buffy Sainte-Marie, Indigenous Musician and Changemaker, in New DocumentaryThirteen.org (November 9, 2022).
Where to Start with Buffy Sainte-Marie (and Why You Should) – Andrea Warner (PBS.org, November 1, 2022).
Buffy Sainte-Marie: Carry It On Shows an Artist Out of Step and Ahead of Her Time – Brad Wheeler (The Globe and Mail, September 5, 2022).
Happy Birthday to a Living Legend – Ruth Hopkins (Teen Vogue, February 20, 2021).
Iconic Canadian Singer-Songwriter Buffy Sainte-Marie Reminisces On An Eventful Eight Decades – Brad Wheeler (The Globe and Mail, February 19, 2021).
For Decades, Buffy Sainte-Marie Has Had to Navigate Systemic Barriers to Cultivate Her Art – Andrea Warner (The Globe and Mail, February 18, 2021).
Buffy Sainte-Marie: Truth, Justice, and Buffy’s Way – Benito Vila (PleaseKillMe.com, February 17, 2021)
Buffy Sainte-Marie Discusses What We Weren’t Ready For In 1988 – Glenn Sumi and Daryl Jung (Now, February 15, 2021).
Buffy the Truth Sayer: An Interview with Buffy Sainte-Marie – Mandy Nolan (The Echo, February 13, 2020).
Buffy Sainte-Marie Named As the Recipient of the Allan Slaight Humanitarian Spirit Award – Ian Courtney (Encore, February 14, 2020).
Buffy Sainte-Marie’s Authorized Biography Serves As a “Map Of Hope” – Scott Simon and Ian Stewart (NPR News, September 29, 2018).
Buffy Sainte-Marie Tells Her Life Story, Her Way – Sue Carter (The Star, September 29, 2018)
Buffy Sainte-Marie: “I Constantly Ask Myself, Where Are the Great Protest Songs of Today?”Regina Leader-Post, (February 6, 2018).
Music as Medicine: Buffy Sainte-Marie Talks Politics, Sex Scandals and Her Brand New Album – Rosanna Deerchild (CBC Radio’s Unreserved, November 19, 2017)
Buffy Sainte-Marie Takes a Stand with Medicine SongsET Canada (November 30, 2017).
Buffy Sainte-Marie Makes Music for a New Generation of Activists – Tom Power (CBC Radio, November 17, 2017).
The Unbreakable Buffy Sainte-Marie: A Candid Conversation with the Resilient Songwriter and Activist – Whitney Phaneuf (Acoustic Guitar, January 18, 2017).
What Does Buffy Sainte-Marie Believe? – CBC Radio (December 30, 2016).


No comments: