Wednesday, May 16, 2018

Reclaiming the Power of Male Touch

In an article first published last year by the online forum Medium, author Mark Greene contends that homophobic prohibitions against male touch are hurting both queer and straight men.

As much as gay men have faced the brunt of homophobic violence, straight men have been banished to a desert of physical isolation by these same homophobic fanatics who police lesbians and gays in our society. The result has been a generation of American men who do not hug each other, do not hold hands and can not sit close together without the homophobic litmus test kicking in.

The lack of touch in men’s lives results in a higher likelihood of depression, alcoholism, mental and physical illness. Put simply, touch isolation is making men’s lives less healthy and more lonely. . . . The sooner being gay is completely normalized, the sooner homophobic prohibitions against touch will be taken off straight men.

. . . We need to empower men to touch. We need to fix our sexually repressed/obsessed American culture and put an end to distorted and hateful parts of our culture that allow homophobic people to police all men everywhere down to the very tips of our fingertips.


One way to reclaim the power of touch for men – straight men, in particular – is to remember that the prohibition against male touch hasn't always been the norm. As the vintage photographs I share in this post show, in years past the comfortable display of mutual affection and intimacy between men was not uncommon. Greene is aware of this and highlights in his piece the article "Bosom Buddies: A Photo History of Male Affection," which Brett and Kate McKay wrote in 2012 for the website, The Art of Manliness.

Following is an excerpt from the McKays' article. It's accompanied by vintage images that I've collected over the years showing men captured in moments of intimacy. Enjoy!

The poses, facial expressions, and body language of the men [in these vintage images] will strike the modern viewer as very gay indeed. But it is crucial to understand that you cannot view these photographs through the prism of our modern culture and current conception of homosexuality. The term “homosexuality” was in fact not coined until 1869, and before that time, the strict dichotomy between “gay” and “straight” did not yet exist. Attraction to, and sexual activity with other men was thought of as something you did, not something you were. It was a behavior – accepted by some cultures and considered sinful by others.

But at the turn of the 20th century, the idea of homosexuality shifted from a practice to a lifestyle and an identity. You did not have temptations towards a certain sin, you were a homosexual person. Thinking of men as either “homosexual” or “heterosexual” became common. And this new category of identity was at the same time pathologized – decried by psychiatrists as a mental illness, by ministers as a perversion, and by politicians as something to be legislated against. As this new conception of homosexuality as a stigmatized and onerous identifier took root in American culture, men began to be much more careful to not send messages to other men, and to women, that they were gay. And this is the reason why, it is theorized, men have become less comfortable with showing affection towards each other over the last century. At the same time, it also may explain why in countries with a more conservative, religious culture, such as in Africa or the Middle East, where men do engage in homosexual acts, but still consider homosexuality the “crime that cannot be spoken,” it remains common for men to be affectionate with one another and comfortable with things like holding hands as they walk.

Whether the men were gay in the way our current culture understands that idea, or in the way that they themselves understood it, is unknowable. What we do know is that the men would not have thought their poses and body language had anything at all to do with that question. What you see in the photographs was common, not rare; the photos are not about sexuality, but intimacy. [Note: Actually, I think it's fairer (i.e., less absolutist and more open to the complexity of life) to say that in many instances the photos are more about intimacy than sexuality. I offer this as a way of not ruling out completely the possibility that some of these images are about both intimacy and sexuality. In other words, homosexual intimacy.]

These photos showcase an evolution in the way men relate to one another – and the way in which certain forms and expressions of male intimacy have disappeared [for straight men] over the last century.

– Brett and Kate McKay
Excerpted from ""Bosom Buddies: A Photo History of Male Affection"
The Art of Manliness
July 29, 2012









See also the previous Wild Reed posts:
Manly Love
Beloved and Antlered
Integrating Cernunnos, "Archetype of Sensuality and the Instinctual World"
Edward Sellner on the Archetype of the Double and Male Eros, Friendships, and Mentoring
A Fresh Take on Masculinity
Rockin' with Maxwell
What a Man! – Connor Beaton


Quote of the Day

That’s what love, I think, really is at the end of the day. It’s not even like a selflessness, it’s like an understanding that I’m making a safe place for you. It’s not safe out there. Somebody’s out to get you – that’s just nature. That’s just the nature of being. And I feel like, yeah, you can totally love somebody and still look out for yourself. But I think the question really is, do you see that someone else as a part of you? If you see us, [as] depend[ing] on each other, then you always are gonna want the best for them.

– Donald Glover
Quoted in Tara Mahadevan's article,
Donald Glover Speaks on Loving Someone 'Different'
Complex
May 12, 2018


Related Off-site Links:
Should It Matter That Donald Glover’s Girlfriend Is White? – Ezinne Ukoha (Medium, May 8, 2018).
Donald Glover’s White Partner Doesn’t Make Him Any Less Black – Touré (The Daily Beast, May 8, 2018).
Donald Glover Steps Out with Girlfriend Michelle and Their Two Sons for Rare Outing in NYCDaily Mail (May 1, 2018).
So Has Anyone Seen the Hate Donald Glover Is Getting for Having a Child with a White Woman? – Reddit (2017)
Donald Glover on Lando's Sexuality in Solo: “How Can You Not Be Pansexual in Space?” – Dalton Ross (Entertainment Weekly, May 22, 2018).
Donald Glover Was Progressive Before “This Is America,” But You Just Didn’t Notice It Until Now – Ashley Rey (Bustle, May 22, 2018).
Donald Glover Ponders If He’s Gay and Stands Up for Macklemore for “Standing for Shit” – Les Fabian Brathwaite (Queerty, November 1, 2013).

See also the previous Wild Reed posts:
Donald Glover: Renaissance Man
Quote of the Day – May 8, 2018
Deconstructing Childish Gambino's “This Is America”


Photo of the Day

Tuesday, May 15, 2018

Quote of the Day

What Palestinians are trying to overcome is [the violence of the Israeli occupation]. As well [they are] trying to create a new future where they can exist with Jews who want to be on the same land. They just can't exist as supplicants or as second-class citizens.

The "abomination" is that we dare to exist and that we won't disappear. And somehow that's seen as in response to Israel rather than a desire to live. And that's what it comes down to. . . . We want to live. The fact [is] that [Israeli policy] is part of the reason why we're not living – the primary reason why we're not living.

[Israel] is the only nuclear power in the Middle East and is supported by the world's global superpower with unequivocal military, financial, and diplomatic aid. We're against all odds. The fact that we've survived this long is a miracle, and will be one day one of the most tremendous inspirations to anybody reading history in the world.

Noura Erakat
Excerpted from "Palestinians Want Freedom, Just Like Anyone Would"
The Washington Post
May 15, 2018


B’Tselem, the Israeli Information Center for Human Rights in the Occupied Territories, has an extensive and informative website that includes a photo blog entitled Eyes Wide Open. A recent collection of images on this blog is entitled "Gaza Not Through Gun Sights," about which the following is said.

In recent weeks, tens of thousands of Gazans have protested along the fence with Israel. Most have stayed several hundred meters away from the fence, with the demonstrations taking the form of a folk festival: entertainment stages, live music, food stalls and large tents where entire families spend the day.

Naturally, media coverage and public debate have focused on Israeli soldiers shooting demonstrators who approached the fence. Yet it is worth pausing over the vast majority of protesters, who have not been involved in such incidents. B’Tselem field researcher Olfat al-Kurd, Muhammad Sabah and Khaled al-‘Azayzeh documented not only casualties, but also the back line of the demonstrations: teens playing soccer, women baking bread, food stalls, and Gazans asking for an end to the Israeli blockade that has made their lives intolerable.

Below is a sampling of the photos from "Gaza Not Through Gun Sights."




Above and below: East of the Jabalya refugee camp in the northern Gaza Strip – April 20, 2018. (Photo: Olfat al-Kurd)





Above: East of the al-Bureij refugee camp, the center of the Gaza Strip – April 13, 2018. (Photo: Khaled al-'Azayzeh)



Above and below: East of Gaza City – April 27, 2018. (Photo: Muhammad Sabah)




Above: East of Rafah, southern Gaza Strip – April 20, 2018. (Photo: Muhammad Sabah)


Related Off-site Links and Updates:
Gaza: Israeli Soldiers Kill 50+ Palestinians Protesting Nonviolently as U.S. Opens Jerusalem EmbassyDemocracy Now! (May 14, 2018).
A Grotesque Spectacle in Jerusalem: A Celebration, and a Massacre – Michelle Goldberg (The New York Times, May 14, 2018).
Gaza Killings: Names and Faces of Those Killed by Israeli Forces This WeekMiddle East Eye via Common Dreams (May 15, 2018).
It's Not a "Hamas March" in Gaza. It's Tens of Thousands Willing to Die – Amira Hass (Haaretz, May 15, 2018).
“Unacceptable and Inhuman” Violence by Israeli Army Against Palestinian Protesters in Gaza – Doctors Without Borders (May 14, 2018).
We Must Speak Up Against Israel's Slaughter in Gaza – Muhammad ShehadaandJamie Stern-Weiner (Vice, May 14, 2018).
Bernie Sanders Emerges as Washington’s Leading Voice Against Gaza Violence – A.P. Joyce (Mic, May 15, 2018).
U.S. Blocks United Nations Call for Independent Probe Into Gaza Deaths – Natasha Turak (CNBC, May 15, 2018).
Nikki Haley Walks Out of U.N. Security Council Meeting as Palestinian Envoy Begins to Speak – Adrienne Mahsa Varkiani (Think Progress, May 14, 2018).
For Many Evangelical Christians, Jerusalem Is About Prophecy, Not Politics – Diana Butler Bass (CNN, May 15, 2018).
To My Fellow Evangelicals: What You’re Cheering in Jerusalem Is Shameful – Richard Mouw (Religion News Service, May 15, 2018).
In America's News Headlines, Palestinians Die Mysterious Deaths – Moustafa Bayoumi (The Guardian, May 16, 2018).
Kill and Kill and Kill – Saree Makdisi (CounterPunch, May 16, 2018).
Blaming the Victims of Israel’s Gaza Massacre – Gregory Shupak (FAIR via Truthdig, May 17, 2018).
Palestinians Are Forcing the World to See Their Humanity – Phyllis Bennis (In These Times, May 16, 2018).
60 Dead in Gaza and the End of Israeli Conscience – Gideon Levy (Haaretz, May 16, 2018).
Seven Fallacies About the Palestinian-Israeli Conflict – Marc Lamont Hill (The Huffington Post, May 17, 2018).
Why Palestinians Are Ready to Brave Bullets and Risk DeathThe Economist (May 17, 2018).
Historian Ilan Pappe: "We Need Sustained International Pressure on Israel"The Real News (May 7, 2018).
Yes, What Israel Is Doing to Palestinians Is Actually Genocide – Benjamin L. Corey (Patheos, March 1, 2017).

See also the previous Wild Reed posts:
For Some Jews, Israel's Treatment of Palestinians is Yet Another Jewish Tragedy
Israeli Policy, Not Anti-Semitism, at the Root of Disruption at Creating Change 2016 Conference
Remembering the Six-Day War and Its Ongoing Aftermath
Quote of the Day – August 12, 2014
Something to Think About – July 18, 2014
"We Will Come Together in Our Pain"
Thoughts on Prayer in a "Summer of Strife"


Monday, May 14, 2018

A Longing and a Prayer


Lost and weary traveler,
Searching for the way to go.
Stranger, heavy-hearted,
Longing for someone to know

May you find a light
May you find a light
May you find a light to guide you home.

There are weary travelers,
Searching everywhere you go.
Strangers who are searching,
Longing deeply to be known

May you find a light
May you find a light
May you find a light to guide you home.








NEXT: Now Is the Time



See also the previous Wild Reed posts:
Like the Sun
The Most Sacred and Simple Mystery of All
The Source is Within You
The Light Within
Be Just in My Heart
In the Garden of Spirituality – Andrew Harvey
Prayer of the Week – October 28, 2013
Quote of the Day – February 8, 2013
Quote of the Day – November 16, 2011
Something to Remember
Intimate Soliloquies
The Soul Within the Soul
Thoughts on Transformation (Part 1)
Thoughts on Transformation (Part 2)
Thoughts on Transformation (Part 3)
Move Us, Loving God
A New Day
The Path Ahead

Image: "Mahad, 5/6/18" by Michael J. Bayly.


Sunday, May 13, 2018

"What You Feed, Grows! (It's All About Love)" – MayDay 2018 (Part 1)


As I mentioned in a previous post, I attended the 44th annual In the Heart of the Beast Puppet and Mask Theatre's MayDay parade in Minneapolis last Sunday, May 6. This year's MayDay theme was "What You Feed, Grows! (It's All About Love)."

As I've noted previously, the MayDay parade never fails to embody story and ritual at their best. And because the themes of the parade are always concerned in one way or another with journeying, growth, transformation, and the seeking and embodying of the best qualities of the human condition, I have no hesitation in calling it a religious ritual. It feeds my spirit – and the spirits of the hundreds who participate in it and the thousands who line the streets of Bloomington Ave. in south Minneapolis to witness it.

Following is the beautiful and profound welcoming statement from this year's MayDay celebration program.

Let us celebrate youth and love, two universal, cross-cultural, powerful and inspiring elements that make our neighborhoods and our world bearable, and even exquisite, in these troubling times.

The might and power of youth are leading us. Their vision, action, courage and wisdom are a potent channel for transformation. May we hold one another in love and support, and join in this important movement.

Love. Perhaps our most basic human need, core function, means of healing. Love, an answer to the question of what we must plant and nourish in these times.


As I've done in previous years, I spent time before the start of this year's MayDay parade walking around and taking photos in the staging area. That's where the images in this first of two Mayday 2017 posts were taken. Enjoy!












Note the good folks at In the Heart of the Beast Puppet and Mask Theatre:

Puppetry's power lies in the act of transformation – of bringing something inanimate to life. This act in itself speaks to our lives, which rise and fall and rise again. As we share this act of building and performing, we find that art brings people together. It creates and expands community.










NEXT: Part 2


See also the previous Wild Reed posts:
Photo of the Day – May 6, 2018
"Imagine, Heal, Resist" – MayDay 2017 (Part 1)
"Imagine, Heal, Resist" – MayDay 2017 (Part 2)
Photo of the Day – May 7, 2017
"Radical Returnings" – MayDay 2016 (Part 1)
"Radical Returnings" – MayDay 2016 (Part 2)
"Our New Possibility": Photo of the Day – May 1, 2016
"And Still We Rise!" – MayDay 2015 (Part I)
"And Still We Rise!" – MayDay 2015 (Part II)
Mystics of Wonder, Agents of Change (MayDay 2014 – Part 1)
"The Spiritual Dialectic of WONDER?!" (MayDay 2014 – Part 2)
See the World! (MayDay 2013)
The End of the World as We Know It (2012)
"Uproar!" on the Streets of South Minneapolis: Part 1 (2010)
"Uproar!" on the Streets of South Minneapolis: Part 2 (2010)
Getting Started: MayDay 2009 (Part 1)
Celebrating Our Common Treasury: MayDay 2009 (Part 2)
MayDay and a "New Bridge" (2008)
The Time is Now! (2006)

Images: Michael J. Bayly.


Saturday, May 12, 2018

Deconstructing Childish Gambino's "This Is America"

It's been a week since the debut of the song "This Is America" and its accompanying video. Written by American rapper Childish Gambino, the musical stage name of actor Donald Glover, and produced by Ludwig Göransson, the lyrics of "This Is America" address a number of realities that affect the black community in the USA, including police brutality, gun violence, and mass shootings. Pitchfork's Stephen Kearse describes the song as a representation of the "tightrope of being black", with the song "built on the sharp contrast between jolly, syncretic melodies and menacing trap cadences."

It was the music video for the song, however, that propelled "This Is America" into an overnight cultural phenomenon, amassing an estimated 12.9 million views on YouTube in the first 24 hours and over 50 million views in a matter of days. (NOTE: To view "This Is America," see this previous Wild Reed post.)

The massive outpouring of interest in the video prompted Spencer Kornhaber of The Atlantic to declare "This Is America" the "most talked-about music video of recent memory," and Billboard's Nerisha Penrose to note that Gambino's "timely visual comes on the heels Kanye West's controversial Twitter spree, in which the rapper repeatedly endorsed Donald Trump and made an ill-advised comment about slavery."

Following is how the "This Is America" video is described by Wikipedia:

Directed by Hiro Murai, the music video was released on YouTube simultaneous to Gambino's [May 5, 2018] performance of the song on Saturday Night Live. The video follows Gambino dancing through a warehouse, interacting with a series of chaotic scenes.



Choreographed by Sherrie Silver, Gambino and his entourage of young dancers perform several viral dance moves including the South African Gwara Gwara and "Shoot" popularized by BlocBoy JB, who is one of the ad-lib contributors on the song.

Gambino's dancing is contrasted against moments of violence. Only 53 seconds into the video, Gambino shoots a man in the back of the head with a handgun, while assuming a comical stance similar to a Jim Crow caricature. At a later point, he uses an automatic weapon to gun down a church choir, which viewers have interpreted as a reference to the 2015 Charleston church shooting. In both instances, a child appears from offscreen holding a red cloth, on which Gambino gently lays the weapon used, which viewers have interpreted "as a reference to Americans' willingness to protect gun rights over people". The first shooting also marks a transition in the music, from an African "folk–inspired melody" to a "dark, pulsing trap." American singer SZA makes a cameo appearance towards the end of the video.

The video ends with Gambino in a darkened portion of the warehouse, fearfully running towards the camera while being chased by people. Viewers have said this resembles scenes from the film Get Out.

Source



Since the release of "This Is America" there have been numerous video commentaries posted online that insightful analyze both the song's lyrics and its music video's "hidden meanings." The following from the website Insider is a good example of one of these commentaries.





For other insightful video commentaries on "This Is America," click here, here, here, here, here, and here.


Related Off-site Links:
Childish Gambino Debuts ‘This Is America’ on Saturday Night Live – Mary Papenfuss (The Huffington Post, May 6, 2018).
Childish Gambino’s ‘This Is America’ Video Is Full of Harsh Truths – Alejandra Salazar (Yahoo! News, May 6, 2018).
What It Means When Childish Gambino Says ‘This Is America’ – Frank Guan (Vulture, May 7, 2018).
Here's Everything You Probably Missed In Donald Glover's New Music Video ‘This Is America’ – Kev Smith (BuzzFeed, May 7, 2018).
‘This Is America’: 8 Things to Read About Childish Gambino’s New Music Video – Judy Berman (The New York Times, May 8, 2018).
Adult Gambino: Unpacking the Importance of ‘This Is America’ – Max Quinn (Triple J, May 7, 2018).
Donald Glover's ‘This Is America’ Holds Ugly Truths To Be Self-Evident – Audie Cornish and Monika Evstatieva (NPR, May 7, 2018).
Donald Glover’s ‘This Is America,’ Through the Eyes of a Jim Crow Historian – Julia Craven (The Huffington Post, May 9, 2018).
Hiro Murai Is the Filmmaker of the Year – Adam Nayman (The Ringer, May 8, 2018).
The Story Behind Childish Gambino's Symbolic ‘This Is America’ Dance Choreography – Eric Skelton (Pigeons and Planes, May 10, 2018).
Here’s Our Top 10 Artworks Inspired by Donald Glover’s ‘This Is America’ – Relly Hunt (Gritty Vibes, May 7, 2018).
‘This Is America’ Producer Reveals New Details About Childish Gambino’s Viral Video – Hayley Miller (The Huffington Post, May 9, 2018).
Existing While Black: Irrational Fear Is the New Breed of Racism – Richard J. Reddick (Fortune, May 11, 2018).
All Three Childish Gambino Albums Re-Enter Billboard 200 After "This Is America" and SNL – Tara Mahadevan (Complex, May 15, 2018).

See also the previous Wild Reed posts:
Donald Glover: Renaissance Man
Quote of the Day – May 8, 2018
The Music of Buffy Sainte-Marie: "Uprooting the Sources of Disenfranchisement"
Buffy Sainte-Marie's Medicine Songs
Buffy Sainte-Marie's Power in the Blood
The War Racket
The Student-Activists of 2018 – Leading Us to the Future
Quote of the Day – February 17, 2018
Quote of the Day – November 13, 2017
Remembering Philando Castile and Demanding Abolition of the System That Targets and Kills People of Color
"This Doesn't Happen to White People"
Quote of the Day – March 31, 2016
Something to Think About – December 29, 2015
Quote of the Day – November 25, 2015
"We Are All One" – #Justice4Jamar and the 4th Precinct Occupation: Photos, Reflections and Links
Rallying in Solidarity with Eric Garner and Other Victims of Police Brutality
"Say Her Name" Solidarity Action for Sandra Bland
In Minneapolis, Rallying in Solidarity with Black Lives in Baltimore
Making the Connections


Thursday, May 10, 2018

In the Garden of Spirituality – David Richo



The Wild Reed’s series of reflections on religion and spirituality continues with an excerpt from David Richo's book How to Be An Adult in Faith and Spirituality (2011).

The literal facticity of a story is necessary in fundamentalist religions. This view does not allow for the bigness of truth that transcends fact, what literally happened, in favor of a larger metaphorical meaning. This does not mean that some religious events did not really happen but rather that they are meant to be seen as happenings that are still in evidence in our lives today.

[. . .] A religion with all the answers may fall prey to the admonition of Abraham Maslow, who wrote, "Most people lose of forget the subjectively religious experience, and redefine religion as a set of habits, behaviors, dogmas, and forms which, at the extreme, becomes entirely legalistic and bureaucratic, conventional, empty, and in the truest meaning of the word, anti-religious." This statement is reminiscent of Allen Ginsberg's pithy statement: "Absolutes are coercion."

A good poem leaves us with unanswered questions. Then we find room for our central ineradicable and universal human longing, the journey toward personal meaning. A religion that is suspicious of pilgrim journeyers will not appeal to adults on such a venture. An adult looks to a religion that does not explain reality since that is a closing. An adult seeks a religion that illuminates reality because that is an opening. Faith is always about opening.

Religions that are healthy do not tie an individual to one way but offer variety to their devotees. In the Bhagavad-Gita (4:11) we hear Krishna, the Hindu god of love, say, "In whatever way people come to me, even so do I accept them. Whatever path they choose is mine." In [the] Western tradition we hear Sir Gawain in the Quest for the Holy Grail, "Let us set forth to behold the Grail unveiled." The knights "though it a disgrace to go forth [in the same direction]. Each entered the forest at a point that he himself had selected, where it was darkest and where there was no way or path." To be individual is to seek our own path into life's mystery.

– David Richo
Excerpted from How to Be An Adult
in Faith and Spirituality

pp. 19-20


Image: Michael J. Bayly.