Showing posts with label Kiki Dee. Show all posts
Showing posts with label Kiki Dee. Show all posts

Thursday, July 30, 2026

A Classic Duet Turns 50


One of my all-time favorite female vocalists has been in the news recently due to the 50th anniversary of her most well-known recording. The following explains what I mean.

On July 24, 1976, Elton John finally scored his first overseas No. 1 single with “Don’t Go Breaking My Heart” alongside Kiki Dee. It was his sixth chart-topping hit on the Billboard Hot 100, and the first to reach No. 1 in the United Kingdom.

Although John had already cemented himself as an international rock legend by this point in his career, for some reason, his singles struggled to find as much success in his home country as they did in the United States. Records such as Goodbye Yellow Brick Road and Caribou had managed to top the albums chart, but his singles always suffered from a lack of momentum.

John’s best-performing single in the U.K. before “Don’t Go Breaking My Heart” was “Rocket Man”, which shot to No. 2 and helped push its corresponding album, Honky Chateau, to No. 2 as well.

Ultimately, the combined star power of Elton John and Kiki Dee was too much for the charts to ignore, and “Don’t Go Breaking My Heart” overcame whatever hurdles had previously held the artist back from commercial domination. The song was a massive radio hit in both the United States and the United Kingdom.

And the song’s success couldn’t have come a moment too soon. John co-wrote the track alongside his long-time writing partner Bernie Taupin with the intention of getting a huge international star to perform the female part, hoping it would speak to fans of classic Motown duets between artists like Marvin Gaye and Tammi Terrell.

Although the single wasn’t originally released on an album (where John had typically found most success), it quickly became his most popular song and broke records for physical sales in the United States. Even today, it’s still fondly remembered as one of John’s greatest early hits, and among the most iconic duets ever recorded.

Jack Walters
Excerpted from "50 Years Ago:
A Beloved Rock Star Scored His Sixth No. 1
With an Unexpected Duet
"
Men’s Journal
July 24, 2026







For all the massive fame he had achieved by 1976, Elton John had yet to place a song at the top of the charts in his native Great Britain. That changed when he teamed up with Kiki Dee for “Don’t Go Breaking My Heart.”

Although Dee, born Pauline Matthews in 1947, had broken through a few years earlier, she already had more than a decade of recording experience under her belt. She’d began working with Fontana Records in 1963 when she was in her mid-teens, signing with the same label that gave John’s early band Bluesology a shot. Her five-year tenure resulted in a handful of singles and a 1968 album, I’m Kiki Dee, none of which charted. But she gained a name for herself as a backup singer (appearing on Dusty Springfield’s “Some of Your Lovin’” and “Little by Little”) and a featured performer on radio and television.

That led to Dee becoming the first white British artist signed to Motown and while 1970’s Great Expectations didn’t match that lofty title, it proved fortuitous in another way.

The music manager for Motown in the U.K. was John Reid, who was also managing Elton John. He convinced Dee to sign with the label they were forming, Rocket Records, and Loving and Free arrived in 1973 with her first U.K. Top 20, “Amoureuse.” A year later, Dee had a hit on both sides of the Atlantic with “I’ve Got the Music in Me.”

. . . Released as a stand-alone single in June 1976, “Don’t Go Breaking My Heart” went to No. 1 in both the U.S. (four weeks) and the U.K. (six weeks). That ranked as his sixth song to top the Billboard Hot 100 in four years, it was also Elton John’s last until 1986, when he sang on Dionne Warwick’s charity single “That’s What Friends Are For.” One of John’s own compositions wouldn’t reach No. 1 until another duet, George Michael’s live remake of “Don’t Let the Sun Go Down on Me” did so in February 1992.

In honor of their success on “Don’t Go Breaking My Heart,” John gave Dee a gold heart necklace with the song’s title engraved on it; as of 2011, she said she still had it. And even though he’s revisited “Don’t Go Breaking My Heart” on several occasions, including singing it in high-profile situations with Miss Piggy on The Muppet Show, the Spice Girls, Minnie Mouse, RuPaul and actor/comedian Steve Coogan, John has never forgotten his original duet partner. They recorded a cover of the Four Tops’ “Loving You Is Sweeter Than Ever” for her 1981 album Perfect Timing, she joined him onstage at Live Aid for “Don’t Go Breaking My Heart” and they interpreted Cole Porter’s “True Love” for his 1993 Duets album.

“I love working with him because as well as being hugely talented he’s such a hoot,” Dee said in 2013. “He’s a fascinating person, incredibly loyal and one of the funniest, most quick-witted people I’ve ever met. As we were born just three weeks apart; we always do birthdays. He sends me an orchid and two bottles of champagne every year.”

Dave Lifton
Excerpted from “The Story of Elton John’s
First U.K. No. 1, ‘Don’t Go Breaking My Heart’

Classic Rock and Culture
May 18, 2019



A rare concert performance of Elton John and Kiki Dee singing “Don’t Go Breaking My Heart” has been released online. The archival footage captures the pair performing the hit at London’s Empire Pool, Wembley, in November 1977.

The release marks the song’s 50th anniversary as a major chart success. In July 1976, the upbeat duet became John’s first number-one single in the United Kingdom and remained at the top for six weeks. It also reached number one in the United States, becoming one of the most recognizable pop collaborations of the decade.

Written by John and Bernie Taupin under the names Ann Orson and Carte Blanche, the song drew inspiration from classic Motown duets. Its playful exchange between the two singers helped it stand apart from John’s solo recordings.

Over the years, John has performed the track with several guest vocalists, but his original recording and live appearances with Dee remain closely associated with the song. The newly shared footage offers fans another look at the chemistry that helped turn the duet into a lasting favorite.

SuperHits106.com
via social media
July 26, 2026




Above: Earlier this month Kiki Dee (along, no doubt, with Elton John) recieved a special award from Spotify for one billion streams of “Don’t Go Breaking My Heart.” When this achievement was first announced in February, Kiki was interviewed about it by BBC Breakfast. It’s a great (though short) interview, and one that can be viewed in its entirety below.





For more of Kiki Dee at The Wild Reed, see:
Elton and Kiki: Together Again
Music Legend Kiki Dee: “I’m a Down-to-Earth Person”
Celebrating Kiki
Kiki Dee and Carmelo Luggeri
“A Classy Duo”
Celebrating the Proverbial “Soulman”
Classic Kiki
Deeper Understandings
The End Is Not the End
Amoureuse
Honoring the Darkness While Remembering the Light
The Light of This New Year’s Day

Related Off-site Link:
Kiki Dee’s Forward MotionThe Strange Brew (August 2023).


Monday, March 30, 2026

Celebrating Kiki


Before the month ends I want to give a shout-out to Kiki Dee, one of my all-time favorite female vocalists. The English pop/soul singer-songwriter turned 79 on March 6th.

Happy (Belated) Birthday, Kiki!


If you're unfamiliar with the phenomenal Kiki Dee, the following by Brian Penn provides a helpful introduction.

Where do I start a review for the Queen of British Rhythm ‘n’ Blues?

Kiki won her first recording contract in 1963 but, inexplicably, a run of singles missed out on the charts. She later became the first British artist ever signed to Tamla Motown. An album called Great Expectations followed but still no commercial success for Kiki.

Elton John saw her potential and signed her to his Rocket label in the mid ’70s. This proved to be her most fruitful period in the charts, duetting with Elton on “Don’t Go Breaking my Heart,” a chart topper in the U.K. and U.S. As a solo artist, she hit with “Amoureuse,” “I’ve Got the Music In Me,” and “Star,” all cracking the Top 20.

Following starring roles in the West End in the ’80s [most notably in Blood Brothers], Kiki teamed up with Carmelo Luggeri in the mid ’90s, producing [four] albums – Where Rivers Meet (1998), The Walk of Faith (2005), A Place Where I Can Go (2013), and The Long Ride Home (2022) – as well as a highly respected live show.


In celebrating Kiki’s birthday at The Wild Reed, I share Lewis Nicholls’ 40-minute interview with Kiki from 2024. It’s a great interview, one of the best out there. Here’s how Nicholls introduces it:

The legend that is Kiki Dee joins me for an episode of Life Stories to talk about her amazing career, her friendship with Elton John, performing with Queen, and being on stage at Live Aid. Plus some fab stories.





Kiki’s about to go on tour in the U.K. with her longtime musical collaborator Carmelo Luggeri. If you get the chance to see this “classy duo” in concert, go for it! By all accounts, you won’t be disappointed.


For more of Kiki Dee at The Wild Reed, see:
Music Legend Kiki Dee: “I’m a Down-to-Earth Person”
Kiki Dee and Carmelo Luggeri
“A Classy Duo”
Celebrating the Proverbial “Soulman”
Classic Kiki
Elton and Kiki: Together Again
Deeper Understandings
The End Is Not the End
Amoureuse
Honoring the Darkness While Remembering the Light
The Light of This New Year’s Day

Related Off-site Links:
An Interview with Kiki DeeBBC Breakfast (February 1, 2026).
Kiki Dee’s Forward MotionThe Strange Brew (August 2023).


Saturday, November 01, 2025

November Song


The end is not the end;
it’s just a beginning.


What many consider to be the Celtic New Year takes place this evening. It’s a turning that has its roots in the Gaelic festival of Samhain (pronounced sow-in) which marks the end of the harvest season and the beginning of winter, the “darker half” of the year. It is held on November 1 but its celebration begins on the evening of October 31 as the Celtic day began and ended at sunset.

Samhain is one of the four Gaelic seasonal festivals along with Imbolc, Beltaine and Lughnasa. Historically it was widely observed throughout Ireland, Scotland, and the Isle of Man. Similar festivals took place in Wales, Cornwall, and Brittany.

Wikipedia notes that:

Like Beltaine, Samhain was a liminal or threshold festival, when the boundary between this world and the Otherworld thinned, meaning the Aos Sí (the “spirits” or “faeries”) could more easily come into our world. Most scholars see the Aos Sí as remnants of pagan gods. At Samhain, they were appeased with offerings of food and drink, to ensure the people and their livestock survived the winter. The souls of dead kin were also thought to revisit their homes seeking hospitality, and a place was set at the table for them during a meal. Mumming and guising were part of the festival from at least the early modern era, whereby people went door-to-door in costume reciting verses in exchange for food. The costumes may have been a way of imitating, and disguising oneself from, the Aos Sí. Divination was also a big part of the festival and often involved nuts and apples.


As you’ve no doubt ascertained, many features of Samhain have been incorporated into the Catholic celebrations of November 1, “All Hollows Day” (or “All Saints Day”) and November 2, “All Souls Day.” Filtered through these celebrations, elements of Samhain also emerge in the modern holiday of Halloween.

Hallowtide, is the name I use for the time of transformative power that all these names, origins, meanings, and dates call to mind and heart.

A song which for me calls to mind and heart the transformative power of Hallowtide is “Pretty Tune" by Kiki Dee (left) and Carmelo Luggeri (with guest artists Pandit Dinesh and Micky Simmons). It’s from Kiki and Carmelo’s sublime 1998 album Where Rivers Meet, a beautiful title that evokes the meeting of worlds associated with Hallowtide.



Hallowtide Blessings!

May this time of transformation
bring you the endings you need and
the beginnings you desire.





Dark afternoons, driving into strange cities
And if we feel the doubt, it’s only change
Back when the days were long we could do anything
Bathed in the sunlight
It’s just a different place

This is my November song
The end is not the end
It’s just a beginning
A year in your life
What’s in a name?
It’s just my pretty tune

Radio views, I’ll look and I’ll listen
But I think it maybe time not to buy these wares
Each step moves us on
Right now I’m going home
I’m going home



See also the previous Wild Reed posts:
Samhain: Reaffirming the Oneness of All Spirits
Something to Think About – October 31, 2022
Samhain: A Time of Magick and Mystery
At Hallowtide, Pagan Thoughts on Restoring Our World and Our Souls
Resilience and Hope
Hallowtide Reflections
An All Hallows Eve Reflection
Halloween Thoughts
A Hallowtide Reflection
The Pagan Roots of All Saints Day
Remembering the Beloved Dead
“Call Upon Those You Love”
Our Sacred Journey Continues: An All Saints and Souls Day Reflection
An All Souls Day Reflection
Advent: A “ChristoPagan” Perspective
Magician Among the Spirits
Holy Encounters Where Two Worlds Meet
Balancing the Fire
November Musings
Time to Go Inwards
Anew

Nature images: Michael J. Bayly


Saturday, March 08, 2025

Classic Kiki

This past Thursday, March 6, was the 78th birthday of Kiki Dee, one of my favorite female singer-songwriters.

Kiki’s currently on tour in the U.K. with her longtime musical collaborator Carmelo Luggeri.

Today at The Wild Reed I celebrate Kiki and her music by sharing a track from her 1970s’ heyday, “How Glad I Am,” a remake of the Nancy Wilson hit, “(You Don’t Know) How Glad I Am.”

Notes Wikipedia:

Kiki Dee recorded “(You Don’t Know) How Glad I Am” in 1964 with an arrangement – by Les Reed – based on the Nancy Wilson recording: Dee then remade the song as “How Glad I Am” in 1975, with an uptempo bluesy arrangement, and this version – produced by Gus Dudgeon and credited to the Kiki Dee Band – was issued that spring as the follow-up to “I’ve Got the Music in Me,” reaching No. 33 in the UK and No. 74 in the US. The Kiki Dee Band version also charted in the Netherlands (No. 16) and Flemish Belgium (No. 30).







Says The Shuttle of Music Facebook group:


Kiki Dee is an English singer known for her soulful voice and versatile career spanning over six decades.

Born Pauline Matthews on March 6, 1947 in Little Horton [a ward in the City of Bradford Metropolitan District] and raised in Bradford, West Yorkshire, she developed a passion for music early on and was signed to Fontana Records in the 1960s.

Dee gained recognition as the first British female artist signed to Motown’s Tamla label, but her major breakthrough came in the 1970s after signing with Elton John’s Rocket Records. Her first major hit was “Amoureuse” in 1973.

Dee is best known for “Don’t Go Breaking My Heart,” her 1976 duet with Elton John, which topped charts worldwide. Kiki continued to release solo music, blending pop, rock, and soul influences, with hits like “I’ve Got the Music in Me” and “Star.” Throughout her career, she worked with artists like Dusty Springfield and performed in musical theatre, starring in Blood Brothers in the 1980s.

Still active in music, Dee continues to perform with longtime collaborator Carmelo Luggeri, embracing a more acoustic sound.

Kiki Dee’s legacy as a pioneering female artist in British pop remains strong.

Source





For more of Kiki Dee at The Wild Reed, see:
Music Legend Kiki Dee: “I’m a Down-to-Earth Person”
Kiki Dee and Carmelo Luggeri
“A Classy Duo”
Celebrating the Proverbial “Soulman”
Elton and Kiki: Together Again
Deeper Understandings
The End Is Not the End
Amoureuse
Honoring the Darkness While Remembering the Light
The Light of This New Year’s Day

Related Off-site Link:
Kiki Dee’s Forward MotionThe Strange Brew (August 2023).

Previously featured musicians at The Wild Reed:
Dusty Springfield | David Bowie | Kate Bush | Maxwell | Buffy Sainte-Marie | Prince | Frank Ocean | Maria Callas | Loreena McKennitt | Rosanne Cash | Petula Clark | Wendy Matthews | Darren Hayes | Jenny Morris | Gil Scott-Heron | Shirley Bassey | Rufus Wainwright | Kiki Dee | Suede | Marianne Faithfull | Dionne Warwick | Seal | Sam Sparro | Wanda Jackson | Engelbert Humperdinck | Pink Floyd | Carl Anderson | The Church | Enrique Iglesias | Yvonne Elliman | Lenny Kravitz | Helen Reddy | Stephen Gately | Judith Durham | Nat King Cole | Emmylou Harris | Bobbie Gentry | Russell Elliot | BØRNS | Hozier | Enigma | Moby (featuring the Banks Brothers) | Cat Stevens | Chrissy Amphlett | Jon Stevens | Nada Surf | Tom Goss (featuring Matt Alber) | Autoheart | Scissor Sisters | Mavis Staples | Claude Chalhoub | Cass Elliot | Duffy | The Cruel Sea | Wall of Voodoo | Loretta Lynn and Jack White | Foo Fighters | 1927 | Kate Ceberano | Tee Set | Joan Baez | Wet, Wet, Wet | Stephen “Tin Tin” Duffy | Fleetwood Mac | Jane Clifton | Australian Crawl | Pet Shop Boys | Marty Rhone | Josef Salvat | Kiki Dee and Carmelo Luggeri | Aquilo | The Breeders | Tony Enos | Tupac Shakur | Nakhane Touré | Al Green | Donald Glover/Childish Gambino | Josh Garrels | Stromae | Damiyr Shuford | Vaudou Game | Yotha Yindi and The Treaty Project | Lil Nas X | Daby Touré | Sheku Kanneh-Mason | Susan Boyle | D’Angelo | Little Richard | Black Pumas | Mbemba Diebaté | Judie Tzuke | Seckou Keita | Rahsaan Patterson | Black | Ash Dargan | ABBA | The KLF and Tammy Wynette | Luke James and Samoht | Julee Cruise | Olivia Newton-John | Dyllón Burnside | Christine McVie | Rita Coolidge | Bettye LaVette | Burt Bacharach | Kimi Djabaté | Ahmad Jamal | Benjamin Booker | Tina Turner | Julie Covington | Midist/Wasim | Durrand Bernarr | Cold Play | Keiynan Lonsdale | Sharon Jones


Saturday, August 26, 2023

Music Legend Kiki Dee: “I’m a Down-to-Earth Person”

Something very special this evening for “music night” at The Wild Reed: a wonderful 20-minute interview with music legend Kiki Dee, one of my favorite female singer-songwriters. Indeed, my favorite album of last year was The Long Ride Home by Kiki and her longtime music collaborator Carmello Luggeri. (You may recall that I shared this album’s title track as part of my 2022 birthday post, “Deeper Understandings.”)

The interview with Kiki I share this evening was recorded June 29 of this year. In it, Kiki chats with GB News host Angela Rippon about her iconic music career, a career that’s now covered over six decades. Throughout (both her career and this interview) Kiki lives up to her contention that at heart she’s a “down-to-earth person.” Just one more reason why I admire and respect her so much.

Kiki’s interview is followed by Great British Life’s June 20, 2023 feature article (with added images and links) on Kiki and her life in music. Enjoy!






Kiki Dee Looks Back on Her Career
and Forward to Touring

Great British Life
June 20, 2023


Say it quietly, but 2023 marks 60 years since 16-year-old Pauline Matthews left her native Bradford with her dad to go for an audition with London-based Fontana Records.

Now, following a string of solo hits, a number one record with Elton John, and an Olivier-nominated starring role in the West End, she’s back on the road with her musical partner of almost 30 years, Carmelo Luggeri, under her adopted stage name of Kiki Dee. “The name Kiki came from the idea of Kinky,” says Kiki today from her home in Ashwell. “I did think I wouldn’t be singing in five years time if they called me Kinky! Even then, when I got to Bradford they would say: ‘Kiki, what kind of name is that?’”

She sees her northern upbringing as an important part of her long career – particularly in that first decade when commercial success eluded her. “In the 1960s all I wanted was a hit record,” she recalls. “I started so early, and was so grateful for the opportunity. It would take five hours for me to go down on the train from Bradford and it was like going into another universe. I remember having a glass of wine in London as a teenager and feeling it was really special. People just didn’t drink wine in those days in the north. The 1960s was when people started travelling abroad. As a teenager I was influenced by the music – The Beatles, The Stones – and there were these gritty films and the art world taking off. I was so excited by it, I hated going home, but I could see the value of a solid background and loving family. Being a Yorkshire lass you don’t get a chance to lord it over everyone!”

As well as releasing singles with Fontana she performed backing vocals for Dusty Springfield on two of her early hits, “Little by Little” and “Some of Your Loving,” before becoming the first white female singer to be signed to Tamla Motown in 1970. “It’s only now through social media I’ve found out there were people, and still are people, interested in my 1960s stuff,” she says. “Because it wasn’t commercially successful I thought that nobody had heard it! One of my singles ‘On a Magic Carpet Ride’ [from 1968] sold recently for £450!”

It was Elton John and his record label Rocket Records, which was run by the creative mind of Steve Brown, which changed everything. She started a run of solo hits including breakthrough “Amoureuse,” “I’ve Got the Music In Me” and “Star,” as well as that famous duet. “It was the first time I’d worked with people my own age,” says Kiki, who was encouraged to start writing her own songs by Elton, as a reaction to the rise of the Californian singer songwriters like Joni Mitchell and Jackson Browne. “I wasn’t the kid down from the north anymore. Elton gave me that platform.”




Above: Kiki Dee performing her original composition “Sugar On the Floor,” from her 1973 album, Loving and Free. Music critic Alan Robinson describes “Sugar On the Floor” as a “ruminative ballad that perfectly triangulates between gospel, old school R&B and country, and rounds out an accomplished [album] in fine style.” The song has been covered by numerous artists, including Etta James and Elton John.


Kiki was with Elton when he played his legendary Dodgers Stadium gigs in LA in 1975 – and returned there last November to perform alongside him, Dua Lipa and Brandi Carlile as part of his farewell tour.

Above: Kiki with Elton and his two other guest vocalists – Dua Lipa (left) and Brandi Carlile – backstage at Elton’s final USA tour date at Dodgers Stadium, Los Angeles, November 20, 2022.


“I got to talk to him on the phone for half an hour and it was like catching up with an old pal,” says Kiki. “He lives this extraordinary busy life. His farewell tour has turned into a long goodbye thanks to COVID. He was in great voice in November. I can’t see him never playing live again once the tour is over – he loves it. I think he wants more freedom – I could see him doing twelve nights at the Hammersmith Odeon like Kate Bush.” Elton’s tour comes to the UK later this year, but as yet Kiki hasn’t heard anything about repeating their duet. “It wouldn’t matter if we didn’t,” she says. “To have had this chance to play Dodger Stadium again was amazing – anything else is a plus.”

Kiki’s entrance into Elton’s best-selling autobiography Me is pretty spectacular – she appears at a party walking into a glass door “carrying every Champagne glass we owned.”

It has been suggested she write her own autobiography, but it’s something she would only consider once she retires – which isn’t any time soon.

“I would like to do something a little bit original, on my own terms,” she says. “I’m quite a private person – I don’t want my interior life to be shared with the world. That’s the price of being famous – Elton has given up so much of his privacy. My music is as honest as I can be as a human being.”

In particular she finds her ongoing collaboration with Carmelo to be fulfilling – a collaboration which began through Elton’s former PA and head of Rocket Records, the late Steve Brown. He approached her in 1994 after she’d enjoyed a successful period working in musical theatre – including a stint with the West End hit Blood Brothers. “He said I’d reached my mid-40s and needed to find something that was about music, not being a pop star, if I was to have a musical future” recalls Kiki. “He put Carmelo and I together and said we should go off and do some acoustic gigs, as just the two of us. Carmelo came from a rock background so it was different for him too.”

Steve’s instincts were proved right. Kiki and Carmelo have spent almost 30 years working together now, penning six studio albums and two live collections, the most recent of which was last year’s The Long Ride Home, as well as playing acoustic shows across the country and beyond.


Kiki enjoys the freedom that the set-up provides. “There’s a lot of space in the music,” she says. “Whenever I work with a full band now it sounds so loud! There’s a lot of intimacy in our shows, although we can rock out too, Carmelo uses a lot of pedals and can layer his guitars up. It gets quite dynamic, we can go pin-drop quiet up to ‘I’ve Got The Music In Me.’ We have invested in our own monitoring system now for on stage, so we are much more self-contained – we’re a little travelling show! We both like the freedom we have – we don’t want to have to compromise what we’re trying to achieve.”

The title track of The Long Ride Home is a perfect example of that freedom – drawing on Kiki’s Americana influences, not unlike the legendary Dusty in Memphis album, while also giving Carmelo space to rock out. “It’s like a melting pot of our influences,” says Kiki. “We used Indian drones on some tracks and tablas - our most adventurous album was one called Where Rivers Meet. Working with Carmelo is a step away from being what I think people expect from me – although I find I’m not so worried about what people think.”

She describes standing on stage as “a bit like exhibitionism – I'm here, what do you think?!” but overall she’s grateful to still be here.

“I don’t plan ahead,” she says. “I’ve got a couple of ideas for shows and songs but I need to get myself match fit. I go to the gym two or three times a week – I don’t go crazy, just some cross-training and breathing exercises. It is an interesting world – it’s so different now from when I started. I’ve always had to work hard – I see myself as a working woman, and I’m grateful that I have to work and can be connected to people. There are days when I think: ‘What am I doing?’ but it’s what gets you up in the morning. I never got married, I never had kids, I’ve had a free life and I like that.”

Great British Life
June 20, 2023



See also the related Wild Reed posts:
Kiki Dee and Carmelo Luggeri
“A Classy Duo”
Celebrating the Proverbial “Soulman”
Elton and Kiki: Together Again
Deeper Understandings
The End Is Not the End
Amoureuse
Honoring the Darkness While Remembering the Light
The Light of This New Year’s Day

Related Off-site Link:
Kiki Dee’s Forward MotionThe Strange Brew (August 2023).

Previously featured musicians at The Wild Reed:
Dusty Springfield | David Bowie | Kate Bush | Maxwell | Buffy Sainte-Marie | Prince | Frank Ocean | Maria Callas | Loreena McKennitt | Rosanne Cash | Petula Clark | Wendy Matthews | Darren Hayes | Jenny Morris | Gil Scott-Heron | Shirley Bassey | Rufus Wainwright | Kiki Dee | Suede | Marianne Faithfull | Dionne Warwick | Seal | Sam Sparro | Wanda Jackson | Engelbert Humperdinck | Pink Floyd | Carl Anderson | The Church | Enrique Iglesias | Yvonne Elliman | Lenny Kravitz | Helen Reddy | Stephen Gately | Judith Durham | Nat King Cole | Emmylou Harris | Bobbie Gentry | Russell Elliot | BØRNS | Hozier | Enigma | Moby (featuring the Banks Brothers) | Cat Stevens | Chrissy Amphlett | Jon Stevens | Nada Surf | Tom Goss (featuring Matt Alber) | Autoheart | Scissor Sisters | Mavis Staples | Claude Chalhoub | Cass Elliot | Duffy | The Cruel Sea | Wall of Voodoo | Loretta Lynn and Jack White | Foo Fighters | 1927 | Kate Ceberano | Tee Set | Joan Baez | Wet, Wet, Wet | Stephen “Tin Tin” Duffy | Fleetwood Mac | Jane Clifton | Australian Crawl | Pet Shop Boys | Marty Rhone | Josef Salvat | Kiki Dee and Carmelo Luggeri | Aquilo | The Breeders | Tony Enos | Tupac Shakur | Nakhane Touré | Al Green | Donald Glover/Childish Gambino | Josh Garrels | Stromae | Damiyr Shuford | Vaudou Game | Yotha Yindi and The Treaty Project | Lil Nas X | Daby Touré | Sheku Kanneh-Mason | Susan Boyle | D’Angelo | Little Richard | Black Pumas | Mbemba Diebaté | Judie Tzuke | Seckou Keita | Rahsaan Patterson | Black | Ash Dargan | ABBA | The KLF and Tammy Wynette | Luke James and Samoht | Julee Cruise | Olivia Newton-John | Dyllón Burnside | Christine McVie | Rita Coolidge | Bettye LaVette | Burt Bacharach | Kimi Djabaté | Ahmad Jamal | Benjamin Booker | Tina Turner


Sunday, February 12, 2023

“A Classy Duo”


My favorite album of last year was The Long Ride Home by Kiki Dee and Carmello Luggeri. You may recall that I shared the album’s title track as part of my 2022 birthday post, “Deeper Understandings.”

For “music night” this evening at The Wild Reed I share another song from Kiki and Carmello’s The Long Ride Home – the rollicking “Can't Fix the Maybe.” It’s followed by excerpts from two April 2022 reviews, the first by Nicky Crewe and the second by Trevor Hodgett. Enjoy!





Kiki Dee and Carmelo Luggeri have been writing and recording together for the last twenty five years. The combination of Kiki Dee’s soulful vocals and Luggeri’s guitar virtuosity is a winning one and they have built up a strong and loyal fan base over that time.

This latest album of songs was created during the strange lockdown days of the last two years, when live performances and tours were on hold for many musicians.

Kiki Dee’s lyrics have an intimacy that seems to come from personal experience and they highlight her soulful smoky voice. Carmelo Luggeri’s production and playing references Latin and Indian influences as well as country and Americana with his use of dobro and pedal steel guitars. It’s a diverse and rich mix of influence and inspiration that also includes gospel singers on “No Angels Tonight.” The opening track, “The Long Ride Home,” rises to a crescendo with Luggeri’s Stratocaster guitar.

The lyrics of “What You Wish For” and “Small Mercies” take on an additional meaning, reflecting the resilience we had to find in ourselves during lockdown.

There is a real sense of Kiki Dee as a lyricist sharing her thoughts about her journey through her career as a musician and it is both poignant and encouraging to listen to the songs with attention. The final track on the album, “Happy Now,” is a lovely song and sentiment to end on.

Born Pauline Matthews in Bradford in 1947, she was singing professionally from the age of sixteen. Signed to Fontana in 1963, she sang backing vocals for Dusty Springfield and for some time shared a manager with her. She used to perform cover versions for BBC radio shows in the days before the launch of Radio 1. She was the first female UK singer to be signed to Motown’s Tamla Records, one of the first artists who could be described as “blue-eyed soul.” She came to world wide attention when she and Elton John had a huge hit with the 1976 duet “Don’t Go Breaking My Heart,” which went to number 1 on both the UK Singles Chart and the US Billboard Hot 100 chart. Through the early-mid Seventies she had pop hits as a solo artist with “Amoureuse,” “Loving and Free” and “I’ve Got the Music In Me.”

She signed to Elton John’s label The Rocket Record Company [in 1973] and performed with him at Live Aid in 1985.

Over the years she has been in stage plays and musicals [most notably Blood Brothers, for which she was nominated for an Olivier Award for Best Actress in a Musical] and has released forty singles, three EPs and twelve albums. That is quite an achievement.


To read Nicky Crewe’s April 2022 review of The Long Ride Home in its entirety, click here.




Kiki Dee is fondly recalled for her duet with Elton John, “Don’t Go Breaking My Heart,” a 1976 UK Number One, and her early-70s solo hits. But her main focus since the mid-90s has been on her musical partnership with guitarist Carmello Luggeri.

Dee and Luggeri are a classy duo, and Luggeri is a guitarist of exceptional versatility who, on The Long Ride Home, plays sublimely on various electric and acoustic guitars as well as pedal steel guitar and Dobro, and whose playing alludes to blues and many other genres.

All the tracks are self-composed originals. Dee is a thoughtful lyricist who on the title track sings about the transience of human affairs and of the need for all of us to take control of our lives. Contrastingly there’s a sense of existential unease suggested in “What You Wish For,” and on “No Angels Tonight” she sounds weary and defeated by life. That song ends, however, with the gospel-style backing vocals offering a sense of hope.

Dee is an appealing unhistrionic singer who concentrates on communicating her lyrics with clarity and sensitivity, and while the charms of the album are low-key, they are also satisfying.


Trevor Hodgett’s four-star review of The Long Ride Home was first published in Mojo.


See also the related Wild Reed posts:
Kiki Dee and Carmelo Luggeri
Celebrating the Proverbial “Soulman”
Deeper Understandings
The End Is Not the End
Together Again: Elton and Kiki
Amoureuse

Previously featured musicians at The Wild Reed:
Dusty Springfield | David Bowie | Kate Bush | Maxwell | Buffy Sainte-Marie | Prince | Frank Ocean | Maria Callas | Loreena McKennitt | Rosanne Cash | Petula Clark | Wendy Matthews | Darren Hayes | Jenny Morris | Gil Scott-Heron | Shirley Bassey | Rufus Wainwright | Kiki Dee | Suede | Marianne Faithfull | Dionne Warwick | Seal | Sam Sparro | Wanda Jackson | Engelbert Humperdinck | Pink Floyd | Carl Anderson | The Church | Enrique Iglesias | Yvonne Elliman | Lenny Kravitz | Helen Reddy | Stephen Gately | Judith Durham | Nat King Cole | Emmylou Harris | Bobbie Gentry | Russell Elliot | BØRNS | Hozier | Enigma | Moby (featuring the Banks Brothers) | Cat Stevens | Chrissy Amphlett | Jon Stevens | Nada Surf | Tom Goss (featuring Matt Alber) | Autoheart | Scissor Sisters | Mavis Staples | Claude Chalhoub | Cass Elliot | Duffy | The Cruel Sea | Wall of Voodoo | Loretta Lynn and Jack White | Foo Fighters | 1927 | Kate Ceberano | Tee Set | Joan Baez | Wet, Wet, Wet | Stephen “Tin Tin” Duffy | Fleetwood Mac | Jane Clifton | Australian Crawl | Pet Shop Boys | Marty Rhone | Josef Salvat | Kiki Dee and Carmelo Luggeri | Aquilo | The Breeders | Tony Enos | Tupac Shakur | Nakhane Touré | Al Green | Donald Glover/Childish Gambino | Josh Garrels | Stromae | Damiyr Shuford | Vaudou Game | Yotha Yindi and The Treaty Project | Lil Nas X | Daby Touré | Sheku Kanneh-Mason | Susan Boyle | D’Angelo | Little Richard | Black Pumas | Mbemba Diebaté | Judie Tzuke | Seckou Keita | Rahsaan Patterson | Black | Ash Dargan | ABBA | The KLF and Tammy Wynette | Luke James and Samoht | Julee Cruise | Olivia Newton-John | Dyllón Burnside | Christine McVie | Rita Coolidge | Bettye LaVette | Burt Bacharach