I mentioned previously how I had tickets for the live-stream of All the World’s a Stage, a performance by dancer Kadeem Hosein (known as Kadeem En Pointe) and friends that took place last Friday (August 14) at the Shaw Theatre in Kings Cross, London.
It was a great show, and I offer heartfelt thanks to Kadeem and all who worked and performed with him on producing a wonderful gift for the world. Along with Kadeem, others who performed in All the World’s a Stage included dance artists Mercedes Prevatt and Rebecca Chan, singer and musical theatre performer Eve Shanu-Wilson, creatives Mandy Izquierdo, Two Thunder, and Storrveldi, performer Xavier Thomas, and choreographic duo Bloom Collective.
The live-stream of All the World’s a Stage took place at 1:00 p.m. in Minneapolis, as we’re six hours behind London. I invited two chaplain colleagues, Barson and Charity, to watch the first twenty minutes or so with me on a computer in the Spiritual Care office of the hospital at which we work. Like me, they were mesmerized by the beauty and skill of the show’s diverse range of performances.
Kadeem is already planning a second performance for the winter. The best way to stay informed about this event and other projects and performances by Kadeem is by following him on social media. To get started, visit Kadeem’s official website and sign-up to his mailing list. Kadeem is also on He is also on Instagram and Facebook.
The following performance of "The Dying Swan" by Kadeem is from September 2020. In describing this dance when it was first posted of YouTube, Kadeem said the following.
Choreographed by Mikhail Fokin for Anna Pavlova in 1905, the piece I dance here - The Dying Swan - is a staple of classical ballet, performed by ballerinas the world over. Maybe my interpretation is not as great (I am not a professional dancer, I only do it as a hobby), but I had fun shooting it and I hope it inspires some people to go outside of their comfort zone - it wasn’t easy to dance in public, add taking your shirt off, putting on pointe shoes AND a tutu . . . need I say more?
Related Off-site Links:
Kadeem’s Official Website
“Being a Ballet Dancer Is Years of Hard Work, But It’s All Worth It” Says Kadeem En Pointe – Stuart Norval (France 24, February 26, 2026).
Men en Pointe: Ballet Dancers Kick Against Gender Stereotypes – Matilda Martin (The Guardian, March 10, 2021).
See also the following dance-related Wild Reed posts:
• Kadeem
• A Message in Dance That Challenges, Inspires and Liberates
• Kadeem En Pointe: Finding Freedom in Dance
• The Soul of a Dancer
• The Trouble with the Male Dancer – Part 1 | Part 2 | Part 3
• The Premise of All Forms of Dance
• The Art of Dancing as the Supreme Symbol of the Spiritual Life
• The Power of Dance
• “Then I Shall Leap Into Love”
• Love’s the Only Dance
• We All Dance
• Not Whether We Dance, But How
• The Dance of Life
• And As We Dance . . .
• Our Dance
• “I Came Alive With Hope”
• Finding Balance in the Presence of the Beloved
• Our Bodies Are Part of the Cosmos
• Flexibility and Flow
• Move Us, Loving God
• A Prayer for Dancers
• Trusting the Flow
• Aristotle Papanikolaou on How Being Religious Is Like Being a Dancer



























