Tuesday, March 10, 2026

Derek Penwell’s Message to the Ones Who Are Scared


The following is written by Derek Penwell, Senior Minister at Douglass Blvd Christian Church. It was first shared on Derek’s substack, Heretic Adjacent, and then on Facebook, where I came across it.

It’s both a powerful and beautiful piece, and a timely follow-up to my last Wild Reed post.

_________________


To the Ones Who Are Scared

The prophets weren’t calm folks writing in leather journals beside artisan candles, but frightened people choking on the truth and saying it anyway.

I want to talk about something that’s taken up a lot of my bandwidth, but something I haven’t really discussed much explicitly.

The thing is, a lot of us aren’t just angry right now. We’ve already burned through angry. What we are is scared. And not hypothetically concerned or vaguely unsettled. Scared deep down in the marrow, in the kind of way that’s hard to explain to people who, by luck or privilege or practiced avoidance, haven’t had to feel it yet. Terrified.

And to be honest, this isn’t the kind of fear you can manage by sheer application of will. Manageable fear comes with concrete options. Put down the phone. Take a walk. Drink some water. Breathe in for four, out for six.

Fine. That stuff can really help. So, I don’t want to discount any of that. This isn’t that.

If we’re being honest, there’s another kind of fear that doesn’t respond to better breathing, isn’t there?

You know what I’m talking about. The 3 a.m. kind of fear. The kind that sits on the edge of the bed and starts listing nightmares. Think about it. We’ve started yet another war nobody wanted, this time with Iran, which has a marginally more robust military than Ecuadorian narco-terrorists.

And if that potential nightmare weren’t enough, we have to wonder about the Epstein files and all they suggest about who gets protected in this country and why, and how it is that we became a country where the power of the U.S. government at its highest levels is drafted to shield those allegedly guilty of heinous crimes against little girls.

We have all kinds of people (citizens and other innocents) getting swept up alongside undocumented immigrants because the people with badges either can’t tell the difference or don’t care to.

Serious voices are asking serious questions about whether the 2026 elections will actually be free.

The math keeps coming out wrong, or if not wrong, then extremely unfavorable for most of us.

Let me get this out before somebody tries to hand you a motivational poster and call it theology: This isn’t catastrophizing. It’s simply paying attention. Those aren’t the same thing. In days like these, confusing the two is just another way truth gets obscured.

The prophet Habakkuk was doing advanced political math, too. He didn’t like the answer any more than we do.

“How long, Lord, must I call for help, but you do not listen? Or cry out to you, 'Violence!’ but you do not save? Why do you make me look at injustice? Why do you tolerate wrongdoing? Destruction and violence are before me; there is strife, and conflict abounds. Therefore, the law is paralyzed, and justice never prevails” (Habakkuk 1:2-4).

That’s not vague, free-floating spiritual angst. That’s a prophet watching a society unravel at the seams.

That’s someone who loves his people, standing in the wreckage of public life, watching violence and injustice go unpunished while the goons in charge cover for one another. Watching ordinary people get crushed, and then turning toward heaven with something that sounds like a scream.

I don’t know about you, but I read the prophet pour out his incredulity and fear, and I feel a little less alone.

Here’s where I need to be honest about my own inner life. I’ve spent enormous amounts of energy lately trying to turn fear into anger. Mostly, I guess, because anger feels more useful.

But at least anger has someplace to go. Anger can make the calls, write the letters, show up in the streets, refuse to look away. Anger at least feels like motion.

Fear just sits there in the dark and stares at you. Unblinking. Like some dead-eyed horror sitting across from you on an empty subway car.

But Habakkuk doesn’t give his fear a good scrubbing behind the ears, turning it into something more respectable before he brings it to God. He brings the fear and confusion. The unbearable “how-are-you-letting-this-happen?” itself.

And what I love, or maybe what I trust, is that God doesn’t tell him to calm down.

The answer Habakkuk gets is odd. Severe, even. It’s not a five-step plan for surviving the collapse of public trust or a reassurance that everything will be fine by next Tuesday. Just this: "Write the vision. Make it plain. And wait."

Bear witness. Write it down. Don’t let the truth disappear just because it’s inconvenient to the powerful or exhausting to the rest of us.

And then wait, not because waiting is easy, but because sometimes faithfulness is less about fixing what we can’t fix and more about refusing to lie about what’s going on.

I’ve been thinking about this because, frankly, it feels more honest than a lot of what passes for pastoral reassurance these days. “We’ve been through worse.” “The arc of history bends toward justice.” “Love wins.”

Well. Maybe. Sometimes. Eventually.

But at 3 a.m., when my mind is filling in the blanks of what comes next, those slogans can sound less like good news and more like religiously accessorized denial you find cross-stitched on a pillow at a Lifeway bookstore.

Habakkuk offers something truer.

Name what you see.

Tell the truth about it.

Don’t look away.

That, at least, we can do.

So here’s the permission I want to offer myself today. (If you need it, it’s for you too.)

You don’t have to make your fear useful before you bring it to God. You don’t have to be brave on command. You don’t have to manufacture optimism, or perform hope for the benefit of other anxious people, or pretend that your trembling is a failure of faith.

What you can do is what the prophets did.

Just tell the truth.

Tell the truth about what you see. Tell the truth about what it does to you. Tell the truth to God, to a trusted friend, to the soul of your own terrified five-year-old self in the dark. Name the injustice, the dread, the grief. Don’t dab perfume on it.

That’s not weakness. To the contrary, in a world that relies on our stupefaction, clarity is a form of courage.

In a culture fueled by spectacle, attention is a moral achievement.

And in a moment when so many of us are being told to doubt our own eyes, plain, honest speech is a kind of holy defiance.

The God who listened to a prophet yelling into the collapse of his own society can handle our 3 a.m. howl into the void.

God has heard this kind of prayer before . . . and God’s not afraid of the tone of our voice.

Go forward even though your courage trembles, dear ones. But go.

And if, on the way, you need to scream at God a little, go ahead. The prophets already made that road holy.

Be gentle and brave,

Derek Penwell
via social media
March 3, 2026


See also the previous Wild Reed posts:
Derek Penwell’s Message to Those Waking Up to Consequences They Didn’t Think Had Their Name on Them
The Red Turtle: “A Film That Knows Exactly What It Wants to Be”
Marianne Williamson on How to Psychologically Endure This Moment
Love Will Not Lose
Why “Revolutionary Love” Gives Michelle Alexander Hope
Something to Think About – December 17, 2015
Susan Raffo: Quote of the Day – September 11, 2012
All ’Round Me Burdens . . .

Image 1: Saaxiib Qurux Badan (“Beautiful Friend”) by Michael J. Bayly (July 14, 2019).
Image 2: James C. Lewis From his “Icons of the Bible” photo series.


Sunday, March 08, 2026

The Red Turtle: “A Film That Knows Exactly What It Wants to Be”


Author James Redfield recently shared the following on Facebook.

We’re living through a time when global events aren’t arriving one at a time, but in waves. New crises erupt before the last have been reckoned with; the volume rises, headlines collide, and the nervous system tightens.

It’s a lot. Not because we’re fragile, but because human beings were never designed to absorb global instability in real time, all day, every day. When information moves faster than integration, clarity suffers. And when clarity suffers, fear fills the gaps. That’s why inner stability matters more than ever. Awareness doesn’t require panic, and discernment shouldn’t lead to exhaustion.

Remember to step back from the noise when you need to. Protect your attention. Care for your body. Sleep well. Eat well. Walk in nature.

The more centered we are, the more clearly we see. And clarity is what sustains meaningful change.

Ground yourself. Breathe. Let calm be your strength.


I’m taking these words to heart. I’m not retreating from staying informed about what’s going on in the world, I’m not forgetting, in other words, the “duel citizenship of being alive,” but I am stepping back from the noise of the chaos in the world. I’m protecting my attention, caring for my body, and determined to do what it takes to sleep well, eat well, and spend more time in nature.

I’m also going to be more mindful and consistent in sharing content at The Wild Reed that reflects these efforts to be grounded, clear, and calm – the qualities that I want to embody, that I want to be. It will be content of wisdom, truth and beauty.

It’s not that I haven’t already been sharing such content (see, for example, here, here, and here), it’s that I want to be more mindful and consistent in doing so during these profoundly troubling times we’re living through.

And so I start this mindful sharing today by acknowledging that a favorite film of mine is The Red Turtle by Dutch animator Michaël Dudok de Wit, an amazing film he co-wrote with French screenwriter Pascale Ferran.

Notes Wikipedia about this beautiful 2016 film, one that I first saw at the Riverview Theater in Minneapolis in 2017:

The Red Turtle is an international co-production between Japanese animation studio Studio Ghibli and several French companies, including Wild Bunch and Belvision Studios. The film, which has no dialogue, tells the story of a man who becomes shipwrecked on an uninhabited island where his attempts at escape are repeatedly thwarted by a giant red hawksbill sea turtle.


Following is an insightful video commentary on The Red Turtle by the YouTube channel What Do I Know?. As I hope you’ll discover, both this commentary and the film it celebrates reflect the beauty and wisdom of James Redfield’s words that opened this post – words that speak of knowing exactly what it is we want to be and doing what it takes to be this grounded and calm presence in the world.





Related Off-site Links:
Film Review: The Red Turtle – A Singular Talent – Gerald Peary (The Arts Fuse, February 24, 2017).
The Red Turtle 5-Star Review – Rapturous Minimalism from Studio Ghibli – Mark Kermode (The Guardian, May 28, 2017).

See also the previous Wild Reed posts:
The Now
A Prayer of Anchoring
Cultivating Stillness
Inner Peace
Karen Salmansohn on the “Duel Citizenship of Being Alive”
Love Will Not Lose
Until the Light Returns
What the Wind Says
Trusting the Flow
A Season of Listening
To Be Still
Today I Will Be Still
Eckhart Tolle on Silence and Stillness
The Beauty and Challenge of Being Present In the Moment
No Other Time, No Other Place
A Sacred Pause
Aligning With the Living Light
Mystical Participation
Secret Language of the Heart
Come, Spirit
A Delightful Summer’s Afternoon and a Moving Tale


Saturday, March 07, 2026

Quote of the Day


What we saw in Gaza was not just a genocide. It was a prototype of the wars to come.

The goal of the American/Israeli bombings in Iran [above and right] is not regime change, but the total destruction of the infrastructure of what makes human life possible: schools, residential buildings, government buildings, sports complexes, hospitals, clinics, airports, religious buildings, UNESCO world heritage sites. This morning it was a water treatment facility. None of this has anything to do with ideology, the Ayatollahs, etc. All of this is about making human life uninhabitable. None of it with U.N. sanction, none of it approved by the [U.S.] congress, no accountability to any body of law or morality.

Over 2,000 sites were bombed in the first few days. The number now is much higher. Two-thousand-pound bombs have been dropped, some on dense urban populations. These bombs do not distinguish between supporters of the regime and those opposed. They kill indiscriminately. It’s important both for Americans and the Iranian community (including the diaspora) to come to terms with that.

Many Iranians (especially those in diaspora who championed this war) operate from an assumption that they are “entirely different” than their neighbors, and that their fate would be different than Iraq or Syria. Colonial ambitions don’t match that expectation. I so pray that I am wrong, but every educated instinct based on study of the region tells me that the goal is complete collapse of the society, exploitation of the oil for profit of American companies, and balkanization of Iran into separate ethno-states.

Omid Safi
via social media
March 7, 2026


Above: An aerial view of a graveyard as funerals are held for students and staff from a girls’ school killed in a likely U.S. strike on March 3, 2026 in Minab, Iran. (Photo: Handout/Getty Images)


Related Off-site Links:
Israel Is Using Its Genocidal Gaza Playbook on Iran – Séamus Malekafzali (The Nation, March 7, 2026).
“This Is Madness”: More Talk of Boots on the Ground as Trump Says “Today Iran Will Be Hit Very Hard” – Jon Queally (Common Dreams, March 7, 2026).
165 Massacred Schoolgirls in Iran – and the Silence That Exposes the West’s Moral Selectivity – Hana Saada (Common Dreams, March 7, 2026).
Rights Group Says Massacre at Iranian School – Likely by U.S. – Should Be Investigated as “War Crime” – Jon Queally (Common Dreams, March 7, 2026).
What Is the U.S. Exit Strategy From Its War on Iran? – Medea Benjamin and Nicolas J.S. Davies (Common Dreams, March 7, 2026).
“Your Tax Dollars Being Used to Raise Your Gas Prices”: U.S.-Israel Bomb Major Iranian Oil Depots – Jon Queally (Common Dreams, March 7, 2026).
Poll: A Majority of Americans Opposes U.S. Military Action in Iran – Domenico Montanaro (NPR News, March 6, 2026).
The Iran War Is Unfathomable – Nathan J. Robinson (Current Affairs, March 6, 2026).
“Up There With My Lai”: Investigations Find U.S. Was Likely Behind Iranian School Massacre – Jake Johnson (Common Dreams, March 6, 2026).
“The Military-Industrial Complex Is Winning”: While Bombing Iran, Trump Says Weapons Contractors to Boost Production – Jessica Corbett (Common Dreams, March 6, 2026).
When the Bombs Fall on Other People’s Children – Omar Suleiman (Religion News, March 5, 2026).
The Iran War Is Also a Climate War – Mark Hertsgaard and Giles Trendle (The Nation, March 5, 2026).
“Why Are We Going to War?”: Former U.S. Middle East Officials Say Trump Has “No Clear Plan” on IranDemocracy Now! (March 5, 2026).
War as Far as the Eye Can See: The U.S.-led Imperialist Bloc Is a Threat to Humanity – Eduardo Rodríguez (Peoples Dispatch, March 4, 2026).
War on Iran Is Part of U.S. Plan for Global Domination: An Interview with Economist Michael HudsonDemocracy Now! (March 4, 2026).
After Classified Iran Briefing, Democratic Lawmakers More Convinced Trump Wants Ground Invasion and Forever War – Jake Johnson (Common Dreams, March 6, 2026).
“Iran Is Not Going to Surrender”: Scholar Narges Bajoghli Says U.S. and Israel Underestimate IranDemocracy Now! (March 4, 2026).
“Horror and Anxiety”: Death Toll in Iran Tops 780 as Trump Says U.S. Can Fight “Forever”Democracy Now! (March 3, 2026).
By Attacking Iran, U.S. and Israel Seek Unchallenged Supremacy in Middle East: An Interview with Rami KhouriDemocracy Now! (March 3, 2026).

UPDATES: Trump’s Iran War Is an Affordability Disaster – Brian Garvey (Common Dreams, March 8, 2026).
Iran’s Assembly of Clerics Names Mojtaba Khamenei as the Country’s New Supreme LeaderNPR News (March 8, 2026).
“Trump Has Been Anointed by Jesus” to Wage War on Iran: U.S. Commanders Accused of Promoting Holy WarDemocracy Now! (March 9, 2026).
“The Situation Is Scary”: Global Economic Chaos as Trump’s Iran War Sends Markets Diving – Brad Reed (Common Dreams, March 9, 2026).
“We’re Gonna Make a Ton of Money”: Unhinged Lindsey Graham Hails Profit Potential of Iran War – Jake Johnson (Common Dreams, March 9, 2026).
The Cost of War: Iran’s Strategy to Make Trump Pay – Ramzy Baroud (Common Dreams, March 9, 2026).


See also the previous Wild Reed posts:
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
Thomas Fazi on How Western Hegemony Has Entered a Phase of Irreversible Decline
Kym Staton: Quote of the Day – March 3, 2026
Chris Hedges on the End of the American Empire
John Pilger on Resisting Empire
Resisting the Hand of the Empire
“Our Anti-Imperialism Must Be Consistent”
“It Is Up to Us”


Opening 1: Explosions erupt following strikes at Tehran Oil Refinery in Tehran on March 7, 2026. The United States and Israel launched strikes against Iran on February 28, sparking swift retaliation by the Islamic republic which responded with missile attacks on U.S. bases across the region. The war has dragged in global powers, upended the world's energy and transport sectors, and brought chaos to even usually peaceful areas of the volatile region. (Photo by Atta Kenare / AFP via Getty Images)
Image 2: Photographer unknown.
Image 3: An aerial view of a graveyard as funerals are held for students and staff from a girls’ school killed in a likely U.S. strike on March 3, 2026 in Minab, Iran. (Photo: Handout/Getty Images)


Friday, March 06, 2026

It Begins With Us


Here’s to the bridge-builders, the hand-holders, the light-bringers, those extraordinary souls wrapped in ordinary lives who quietly weave threads of humanity into an inhumane world.

They are the unsung heroes in a world at war with itself. They are the whisperers of hope that peace is possible.

Look for them in this present darkness. Light your candle with their flame. And then go.

Build bridges. Hold hands. Bring light to a dark and desperate world. Be the hero you are looking for. Peace is possible. It begins with us.



See also the previous Wild Reed posts:
An Expression of True Humility
Shining On
Like the Sun
Aligning With the Living Light
A Light That Will Always Shine
The Light Within
Your True Source
The Most Sacred and Simple Mystery of All
The Source Is Within You
I Need Do Nothing . . . I Am Open to the Living Light
A Prayer for the Moment Between
Divine Connection

Image: Jeanie Tomanek.


Thursday, March 05, 2026

A Night at the Ballet


Earlier this evening my friends David and Rachel and I saw the Joffrey Ballet’s American Icons program. It was a very impressive two hours of dance.

About the company, Martha Bayne writes:

Founded in 1956 by Robert Joffrey, son of a Pashtun father and an Italian mother, and second-generation Italian immigrant Gerald Arpino, the 70-year-old company continues to draw exceptional dancers from around the world to Chicago. The Joffrey is, quintessentially, a company of immigrants in an American city powered by immigration.


And here’s how the folks at Northrop Auditorium, the venue for tonight’s performance in Minneapolis, describe American Icons.

In honor of their 70th anniversary, the beloved Joffrey Ballet revisits Northrop with American Icons, a tribute to four dance legends. Featuring iconic works that have shaped the history of American dance, the soaring program is brought to life with live orchestra, including a stirring piece played by Northrop Organist Greg Zelek that highlights our glorious Aeolian-Skinner Op. 892.

Witness the daring and enduring spirit that defines the Joffrey's maverick legacy. American Icons celebrates dynamic works by four trailblazing 20th-century artists: Joffrey co-founders Gerald Arpino and Robert Joffrey, prolific dance pioneer Martha Graham and Joffrey alum Glen Tetley.

Performance includes:

“Kettentanz”: Choreography by Gerald Arpino | Music by Johann Strauss Sr. and Johann Mayer
Inspired by classical Viennese balls and gardens, “Kettentanz” is highly regarded as one of Arpino’s signature works.

“Secular Games”: Choreography by Martha Graham | Music by Robert Starer
“Secular Games” presents a playful exploration of human nature and the lengths to which we go to impress one another.

“Postcards”: Choreography by Robert Joffrey | Music by Erik Satie
A ballet depicting vignettes of Paris in the early 1900s, evoking fleeting relationships and whimsical memories, with challenging maneuvers and luscious classical movement.

“Voluntaries”: Choreography by Glen Tetley | Music by Francis Poulenc
A masterpiece of emotional depth and soaring movement set to Poulenc’s “Concerto in G Minor for Organ, Timpani and Strings,” Tetley’s “Voluntaries” is a tribute to the late John Cranko. Features Northrop Organist Greg Zelek on our glorious pipe organ.



Related Off-site Links:
American Icons Showcases the Exceptional Melting Pot That Is the Joffrey and American Dance – Martha Bayne (Chicago Sun Times, February 20, 2026).
With American Icons, Here’s Why the Joffrey Ballet Is Different – Lauren Warnecke (Chicago Tribune, February 20, 2026).

See also the previous Wild Reed posts:
The Art of Dancing as the Supreme Symbol of the Spiritual Life
“Then I Shall Leap Into Love”
Love’s the Only Dance
We All Dance
Not Whether We Dance, But How
The Dance of Life
And As We Dance . . .
Our Dance
“I Came Alive With Hope”
The Premise of All Forms of Dance
The Power of Dance
Finding Balance in the Presence of the Beloved
Our Bodies Are Part of the Cosmos
Flexibility and Flow
Move Us, Loving God
A Prayer for Dancers
Trusting the Flow
The Soul of a Dancer
Aristotle Papanikolaou on How Being Religious Is Like Being a Dancer

Image 1: Joffrey Ballet dancers Amanda Assucena, José Pablo Castro Cuevas and Hyuma Kiyosawa in “Voluntaries” as part of “American Icons.” (Photo: Cheryl Mann)
Image 2: Michael J. Bayly.
Image 3: Glen Tetley’s “Voluntaries.” (Photo: Erik Berg)


The Quiet Power of André Holland


One of my favorite actors is highlighted in a piece by Ty Cole. I share an excerpt from it below. Enjoy!

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André Holland’s Quiet Power
Continues to Elevate Every Role

Though he didn’t take home the NAACP Image Award for “Outstanding Actor in a Motion Picture” this year, André Holland’s career remains a masterclass in restraint, emotional depth, and undeniable screen presence.

There’s a rare calm that follows André Holland onto the screen. It’s not flashy, nor does it demand attention with dramatic theatrics. Instead, Holland commands scenes through poise, emotional precision, and an ability to make vulnerability feel powerful rather than fragile.

Even with his nomination for Outstanding Actor in a Motion Picture at the NAACP Image Awards this year, his career trajectory has long been defined by performances that critics and audiences quietly hold in the highest regard.

The actor's artistry often lives in the spaces between dialogue. A glance, a breath, or a pause in conversation becomes its own form of storytelling. That tenderness has become one of his defining traits, with him having the ability to portray men who carry depth, empathy, and introspection without losing strength.

It’s a refreshing contrast in an industry that often equates masculinity with loudness or spectacle. Much of that emotional nuance comes from Holland’s stage background, which grounds his performances in intention and discipline. Whether he’s working in television, independent films, or larger studio projects, he brings a thoughtful presence that anchors the narrative around him. Audiences may not always see him in blockbuster headlines, but within acting circles, his reputation as a craftsman is undeniable.

That reputation has only grown through projects like Moonlight, the medical drama The Knick, and a slate of independent films where his subtlety becomes the emotional center of the story.

Holland doesn’t dominate scenes through volume, but he draws viewers in with quiet gravity. In many ways, that’s what makes him such an essential performer. He reminds audiences that some of the most powerful performances aren’t shouted — they’re felt.

Here are four roles that capture Holland at his best.


Love, Brooklyn

In this intimate romcom, Holland delivers a performance rooted in reflection and emotional complexity. His character navigates relationships, identity, and the shifting rhythms of adulthood with a natural sense of vulnerability. He allows silence and body language to communicate just as much as dialogue. The result is a performance that feels lived-in and deeply human.






Moonlight

Holland’s appearance in Moonlight may be brief, but it’s unforgettable. In a pivotal moment of mentorship and understanding, he conveys compassion with remarkable subtlety. His scenes capture Holland’s gift for conveying warmth without overselling emotion. It’s a small role that leaves a lasting impact.






Exhibiting Forgiveness

In this emotionally layered drama, Holland explores themes of trauma, healing, and artistic expression. His portrayal captures the complexity of confronting personal history while searching for peace. Holland approaches the character with empathy and restraint. The performance reflects his ability to bring depth to stories about growth and reconciliation.






The Knick

As Dr. Algernon Edwards in The Knick, Holland anchors the series with intelligence and emotional resilience. The role explores the challenges of navigating racism and ambition in early 20th-century medicine. Holland balances dignity and frustration with extraordinary control. It’s a performance that quietly drives the show’s emotional core.




Ty Cole
Excerpted from “André Holland’s Quiet Power
Continues to Elevate Every Role

BET
March 5, 2026


For more of André Holland at The Wild Reed, see:
For André Holland, “Selectiveness Has Served Him Well”
“I Feel So Proud to Be Part of This Movie . . . It’s Been a Transformative Experience for People Who Have Seen It”
Exhibiting Forgiveness – André Holland’s “Acting Master Class”
The Latest on the Return of Dr. Algernon Edwards
André Holland: “There Are So Many Stories in Our Community That Are Yet to Be Told”
Vulnerability Is Power
Stephen A. Russell on Moonlight
Celebrating Moonlight

Related Off-site Links:
Art and Complicated Faith Make Exhibiting Forgiveness a Breathtaking Film – Jose Solís (National Catholic Reporter, December 7, 2024).
André Holland Honors the Late James Earl Jones While in the Criterion Closet – Harrison Richlin (IndieWire, November 28, 2024).
For His Role in Titus Kaphar’s Film Exhibiting Forgiveness, Actor André Holland Spent Months in an Art Studio. Here’s What He Learned – Mara Veitch (Cultured, November 7, 2024).
André Holland Talks Deleted Scenes from 42 – Robert Daniels (RogerEbert.com, October 28, 2024).
André Holland On the Beauty of Physicality and Movement – Elvis Mitchell (The Treatment, October 26, 2024).
For André Holland, Exhibiting Forgiveness Felt Like It Was “Screaming to Exist” – Marcus Jones (Indie Wire, October 18, 2024).
How André Holland Used His New Movie to Process Grief Over His Father’s Death – Jack Smart (People, October 18, 2024).
Exhibiting Forgiveness Review: André Holland Brings Passion to This Raw Family Drama – William Bibbiani (The Wrap, October 17, 2024).
Exhibiting Forgiveness: The Homegrown Talent of Actor André Holland – Javacia Harris Bowser (Birmingham Times, October 10, 2024).
André Holland Is Restoring an Old Movie Theater in His Alabama Birthplace – with His “Incredible” Mother – Jack Smart (People, October 19, 2024).
André Holland Devastates in a Heartbreaking Portrait of Reconciling Generational Family Pain and Healing – Rodrigo Perez (The Playlist, January 20, 2024).
Exhibiting Forgiveness Review: André Holland Powers Moving Father-Son Drama – Benjamin Lee (The Guardian, January 21, 2024).
In Exhibiting Forgiveness, André Holland Crafts a Work of Art – Therese Lacson (Collider, January 28, 2024).
André Holland Shines in Artist Titus Kaphar’s Sensitive Debut – Lovia Gyarkye (The Hollywood Reporter, January 20, 2024).
André Holland Grapples with Breaking the Cycle in Delicate Debut Feature – Jourdain Searles (IndieWire, January 20, 2024).
Visual Artist Titus Kaphar Makes a Personal Film Debut with Exhibiting Forgiveness – Lindsey Bahr (The San Diego Union-Tribune, January 23, 2024).
High Fyling Bird Is One of the Best Netflix Films You’re Not Watching – Dominic Griffin (Baltimore Beat, February 21, 2023).
Tiffany Boone Joins André Holland in Apple’s Huey P. Newton Series Big Cigar – Joe Otterson (Variety, June 15, 2022).
André Holland Talks The Knick, Research for the Role, Racism of the Era, Selma, and More – Christina Radish (Collider, October 17, 2014).

Opening image: Meron Menghistab (In Style, November 10, 2021).


Tuesday, March 03, 2026

Photo of the Day


Earlier this evening the Muslim American Caucus of the Green Party of Minnesota hosted an iftar, the fast-breaking evening meal of Muslims during Ramadan.

At this event, one that welcomed all, support was shown for both the Green Party of Minnesota and Dr. Butch Ware, Green candidate for Governor of California (pictured above speaking at this evening’s iftar).

Rooted in the principles of justice, ecological responsibility, and nonviolence, the Muslim American Caucus works to “uplift and empower Muslim voices within the Green Party, ensuring that their perspectives, concerns, and values are represented in political discourse.”


Related Off-site Links:
The Green Party Is Growing! – Rose Roby (GreenParty.org, March 1, 2026).
Arab and Muslim American Green Party Caucus Formed to Champion Justice, Peace, and Human Rights – Farah Khan (GreenParty.org, January 30, 2025).
CAIR Exit Poll of Muslim Voters Reveals Surge in Support for Green Presidential Candidate Jill Stein, Steep Decline for Democratic Candidate Kamala Harris – CAIR (November 8, 2024).
Muslim Voters Are Split Between Kamala Harris and Green Party Nominee Jill Stein, as Genocide in Gaza Influences Their Decision – Colleen DeGuzman (Houston Public Media, September 23, 2024).


See also the previous Wild Reed posts:

BUTCH WARE
Introducing California’s Gubernatorial Candidate Butch Ware
“People Really Want New Options in Politics”
Butch Ware on “Red & Blue vs Green Politics”
“We Have the Power to Stop the Flow of Money and the False Legitimacy Upon Which Empire Depends”
Butch Ware: Quote of the Day – November 26, 2025
Butch Ware: Quote of the Day – June 5, 2025
Butch Ware on His Run for California Governor and the Wider Goal of Disrupting the Duopoly
“The Moment Is Ripe”: Butch Ware on Building a “True Oppositional Alternative” to the Duopoly
Butch Ware: Quote of the Day – January 30, 2025
The Green Party’s Jill Stein and Butch Ware Give Their First Post-Election Interview
“This Is a Tragic, Heartbreaking Moment in the History of Humanity”: Butch Ware on the Gaza Genocide
Green Party Vice Presidential Candidate Butch Ware in Minneapolis
Butch Ware: “You Can Actually Vote Your Conscience”
Butch Ware: “I’m Not Here as a Spoiler”


GREEN PARTY
“Green Wave 2026 is Global”
Meet Some of the “People-Powered” Green Party Candidates for 2026
An Opportunity for Organizing Against Duopoly
“It Is Our Responsibility to Make a Third Party Viable”
Something to Think About – December 8, 2024
The Green Party’s Jill Stein and Butch Ware Give Their First Post-Election Interview
“We Give Reasons for People to Come Out and Vote”
We’re Witnessing a Liberal Meltdown Over Jill Stein
The “Green Smoothie” Option
Green Party Vice Presidential Candidate Butch Ware in Minneapolis
Butch Ware: “I’m Not Here as a Spoiler”
Jill Stein: “Americans Deserve Choices”
Elise Labott on How Third Parties Can Revitalize Democracy
Something to Think About – August 15, 2024
Howie Hawkins: “The Democrats Are Not the Answer to the Trump/Fascism Problem”
Demolishing the False Narrative About Jill Stein and the 2016 Election
Cornel West: “The Next Step Is a Green Step, a Progressive Step”
Bernie Sanders and Jill Stein: Is a “Historic Collaboration” in the Making? (2016)
Voting Green: Hope Over Fear


Thomas Fazi on How Western Hegemony Has Entered a Phase of Irreversible Decline

Writes David Bracewell in response to the quote below by writer and filmmaker Thomas Fazi (pictured at right): “The creepy Western political and financial chancers scragging the planet won’t go gently from the domination game, though they’ve already unwittingly built their own public square cages from their own crooked timber. Few outside the West admire them now. They can’t any longer rag-doll a global south state while condemning its leaders and weeping for freedom without evincing even greater contempt – not since Gaza and the hyper-valorisation of the fascist state suffocating it with our elites’ help. That loss of perceived authority and its direct effect on Western force projection will reverberate in your diminishing life choices, your kids’ opportunities, your freedom to travel . . . or bank without oversight . . . or choose political views, friends, organisations, words . . . since our societies will almost certainly be the last supper of that horrible ruling class, as it faces a slow, generational exclusion from real power by the rising world majority. The West is being sidelined because our elites are institutionally supremacist and incapable of peaceful adaptation.”

Here’s what Thomas Fazi wrote:

Aside from his likely role as an intelligence asset, the Epstein Files portray [Jeffrey Epstein] as a middleman, . . . a broker connecting powerful actors in ways that maximised the political and economic interests of a transnational superclass. This superclass is not an anomaly but a structural feature of capitalism itself, a system in which wealth – and therefore power – inevitably concentrates in the hands of a small minority that comes to exercise disproportionate economic and political influence regardless of formal electoral mechanisms. Capitalism is thus intrinsically oligarchic or plutocratic: a dictatorship of capital operating beneath a veneer of democratic ritual. This has always been the core insight of Marxist critiques of capitalism. But recent decades have significantly intensified this pattern. The neoliberal era has produced a historically unprecedented concentration of wealth, extensively documented in economic data, and with it an equally unprecedented concentration of political leverage. Epstein – or what might be called the “Epstein class” – is a direct product of this development.

In such a context, democracy becomes largely illusory even as its technical procedures – universal suffrage, multi-party elections constitutional formalities – remain in place (though even these procedural norms are increasingly challenged, as demonstrated by episodes such as the annulment of elections in Romania). The public’s capacity to challenge entrenched power through the ballot box is systematically neutralised through a wide array of mechanisms: electoral systems designed to marginalise smaller parties; consensus-manufacturing propaganda and censorship enabled by compliant, elite-aligned mass media and social-media platforms; character assassination campaigns against unwelcome candidates; virtually unlimited financial resources deployed to purchase political loyalty; and the steady transfer of sovereignty from national governments to supranational institutions structurally shielded from democratic accountability. And this is not even considering the willingness of elites to bend or break the law outright in order to suppress dissent, as the prolonged legal persecution of Julian Assange, or the sanctioning of critical journalists in the EU, starkly illustrate.

. . . So yes, there is no doubt that the Western ruling classes are morally degenerate. The good news is that their centuries-long global dominance is visibly eroding as new centres of economic and political power rise and Western hegemony enters a phase of irreversible decline. The danger, however, lies in the refusal of entrenched elites to accept this loss of primacy. A class that has grown accustomed to unquestioned supremacy is more likely to escalate conflict than relinquish control voluntarily, which is precisely what we are seeing. This is why the times we are living through are so bloody – and so dangerous.

Thomas Fazi
Excerpted from “Western Hegemony Has Entered
a Phase of Irreversible Decline

ThomasFazi.com
March 2, 2026


See also the previous Wild Reed posts:
“A Blatant Call by the U.S. Empire to Resuscitate Western Colonialism”
Chris Hedges on the End of the American Empire
John Pilger on Resisting Empire
Resisting the Hand of the Empire
“Our Anti-Imperialism Must Be Consistent”
The Queen and Colonialism
Remembering Lumumba
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
“It Is Up to Us”
“We Must Challenge the Entire System”


Quote of the Day

Like a cracked reactor glowing in the dark, the Israeli government is spiraling – dragging the region toward catastrophe while calling it security. An endless war machine, fueled by occupation and impunity, casts a shadow over humanity that feels heavier than the smoke over Gaza.

Since October 2023, tens of thousands of Palestinians have been killed – a staggering human toll that reads like a ledger written in ash across the sky.

Israel and its American patron strut around preaching democracy while bankrolling devastation, an empire-addicted-to-war dynamic that looks less like leadership and more like a collapsing casino lit by burning chips. The self-appointed guardians of “order” can’t even manage their own moral bankruptcy.

We must boycott, divest, and raise our voices – turning solidarity into a firewall against apartheid and endless war.

In the rubble where children once dreamed, beneath a sky bruised by fire, humanity itself trembles – and if we fail them now, we become ghosts wandering a future we were too afraid to save.

Kym Staton
via social media
March 3, 2026


See also the previous Wild Reed posts:
The Architecture of Settler Colonialism
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
“It Is Up to Us”
Qasim Rashid: Quote of the Day – December 29, 2025
Two Years of “Indescribable Horror”
The Lamentable Legacy of the Biden Administration
“This Is a Genocidal Project”
Outrage and Despair
October 7, 2023: “Nothing About Today Is ‘Unprovoked’”
“The Mistreatment and Discrimination Against Palestinians Is Not Unprecedented. It’s Baked Into the Foundation of the Political System in Israel”
“Essential Viewing for All Who Care to Understand the Plight of the People of Palestine”
Something to Think About – July 29, 2018
Noura Erakat: Quote of the Day – May 15, 2018
For Some Jews, Israel’s Treatment of Palestinians is Yet Another Jewish Tragedy
David Norris: Quote of the Day – August 12, 2014


Monday, March 02, 2026

The Architecture of Settler Colonialism


Reminder that the myth of Israelis having “nowhere to go,” premised on a land “God gave them,” unravels the instant evacuation flights and dual passports appear.

Israelis move through airspace, embassies, and Western protections. Palestinians are sealed in, borders closed, exits denied, aid blocked, and bombardment normalized.

This is the architecture of settler colonialism. Mobility for the protected and enclosure for the colonized.

Muchacha Fanzine
via social media
March 2, 2026


Isn’t it interesting how quickly the citizens of Israel reach for their European/U.S. passports and flee the country “God gave them,” while the Palestinians continue to live and rebuild their land, water their olive trees, no matter the scale of destruction.

Tithi Bhattacharya
via social media
March 2, 2026


Related Off-site Links:
Record Israeli Emigration Exposes Deep Crisis at Heart of the Zionist ProjectMiddle East Monitor (January 9, 2026).
Why Israelis Are Leaving in Record Numbers – Hila Amit (972 Magazine, January 7, 2026).
As Palestinians Are Massacred for Staying, Israelis Are Desperate to Flee – Joseph Massad (Middle East Eye, June 27, 2025).
“Not for You”: Israeli Shelters Exclude Palestinians as Bombs Rain Down – Aseel Mafarjeh (Al Jazeera, June 17, 2025).
Trapped in Gaza: Do Palestinians Have a Choice? – Waseem Abu Mahadi (The Media Line, May 15, 2025).

See also the previous Wild Reed posts:
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
“The Mistreatment and Discrimination Against Palestinians Is Not Unprecedented. It’s Baked Into the Foundation of the Political System in Israel”
“Essential Viewing for All Who Care to Understand the Plight of the People of Palestine”
Something to Think About – July 29, 2018
Noura Erakat: Quote of the Day – May 15, 2018
For Some Jews, Israel’s Treatment of Palestinians is Yet Another Jewish Tragedy
David Norris: Quote of the Day – August 12, 2014


Saturday, February 28, 2026

February Vignettes


See also the previous Wild Reed February 2026 posts:
More Dispatches from Occupied Minnesota
Honoring Renée Good and the “Astonishing Surge of Courage” of Minneapolis
A Luminous Celebration of Light, Love and Community
Only the Beginning
The North Remembers
“It’s All Lies and Propaganda”
What This Moment Feels Like in Minnesota
Quote of the Day – February 23, 2026
Anand Giridharadas: “The Epstein Class Is Defined by Amorality”
Thoughts on Bad Bunny’s Super Bowl Halftime Show
A Rare Alignment
Dayvon Love: “You Actually Don’t Care Where Jill Stein Is”
For Rep. Ilhan Omar, Silence Is Never an Option
Remembering Carl Anderson
“Green Wave 2026 is Global”
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
Memes of the Times

See also:
Why Minnesota?
Dispatches from Occupied Minnesota (January 2026)
The Choice (and Risk) That Is Love
The Strongest Force in the Universe
Cernunnos
Beloved and Antlered
It’s You
February Vignettes (2025)
February Vignettes (2024)
Winter Vignettes

Images: Michael J. Bayly.


Something to Think About . . .

Image: Bernard Hage


Related Off-site Links:
Trump Wants to Distract Americans From Scandals at Home With a Diversionary War – Christopher S. Chivvis (The Guardian, February 28, 2026).
“The Behavior of Rogue States”: Global Revulsion as U.S. and Israel Launch War on Iran – Jake Johnson (Common Dreams, February 28, 2026).
U.S. and Israel Launch Unprovoked Attack on Iran, Risking Broader Regional WarDemocracy Now! (February 28, 2026).
Oman’s Foreign Minister Said U.S.-Iran Deal Was “Within Our Reach.” Then Trump Started Bombing – Jake Johnson (Common Dreams, February 28, 2026).
We’re at War with Iran – Marianne Williamson (Transform, February 28, 2026).
Israel Strikes Two Schools in Iran, Killing More Than 80 PeopleAl Jazeera (February 28, 2026).
Trump Says Bombing of Iran to Continue “Uninterrupted” After Reported Killing of Supreme Leader Ali Khamenei – Jake Johnson (Common Dreams, February 28, 2026).
Iran’s Ayatollah Ali Khamenei Is Killed in Israeli Strike, Ending 36-Year Iron Rule – Jackie Northam, James Hider, and Peter Kenyon (NPR News, February 28, 2026).
“Bombs Will Be Dropping Everywhere”: Trump Launches Illegal Regime Change War Against Iran – Jake Johnson (Common Dreams, February 28, 2026).
U.S. Intervention Would Worsen Iran’s Crisis: An Interview with Phyllis Bennis – Institute for Policy Studies (January 20, 2026).
Wait, Why Is Israel Allowed to Have Nukes? – Alex Skopic (Current Affairs, June 20, 2025).

See also the previous Wild Reed posts:
Israel’s and the United States’ Rationale for War on Iran Is “All Bullshit”
Anand Giridharadas: “The Epstein Class Is Defined by Amorality”
Lee Camp: “The Epstein Scandal Has Revealed the Revolting Depravity of the Ruling Elite”
Anand Giridharadas on the “Elite Network” Around Jeffrey Epstein
Phyllis Bennis on the “Stark Danger” Posed by Israel’s Attack on Iran (2025)
Saying “No” to War on Iran (2020)
Veterans for Peace Strongly Condemns U.S. Aggression Towards Iran (2020)
Major Danny Sjursen: Quote of the Day – May 15, 2019
Jeff Cohen: Quote of the Day – January 29, 2011